Happy, Texas [VHS]

• Condition: Used - Very Good

Popular stars Steve Zahn (FORCES OF NATURE, YOU'VE GOT MAIL, OUT OF SIGHT), Jeremy Northam (AN IDEAL HUSBAND, MIMIC), and William H. Macy (MYSTERY MEN, A CIVIL ACTION, FARGO) enliven a hilarious comedy where a case of mistaken identity leads to a beauty of a con game! When escaped convicts Harry Sawyer (Northam) and Wayne Wayne Wayne Jr. (Zahn) are pulled over in the town of Happy, Texas ... while driving a stolen Winnebago ... they think they are being arrested. Rather, they're immediately welcomed as the vehicle's owners: a gay couple who've come to orchestrate the "Little Miss Fresh-Squeezed Pre-Teen" beauty pageant! Not ones to let a good con pass them by, the pair don't hesitate to adopt flamboyant new personalities ... and quickly meet with outrageously unpredictable consequences! With a great cast of stars playing an unusually offbeat collection of character! s -- you'll be more than happy you picked up this laugh-out-loud comedy treat!Three prisoners on a chain gang find themselves on the loose when their prison van overturns to avoid hitting an armadillo. Two of them--Jeremy Northam (An Ideal Husband, The Winslow Boy) and Steve Zahn (Out of Sight, That Thing You Do!)--steal an RV that turns out to belong to two junior-beauty-pageant promoters on their way to organize a pageant in Happy, Texas. When Northam and Zahn find themselves stuck in Happy, their only option is to follow through with their masquerade and put on the pageant. Unfortunately, the promoters are known to be gay, which complicates matters when both men find themselves attracted to local women--Illeana Douglas (Grace of My Heart, Cape Fear) and Ally Walker (While You Were Sleeping, TV's Profiler). The cast is uniformly entertaining, but it's William H. Macy (Fargo, Pleasantville) who really st! eals the show as the town sheriff with a secret of his own. Happy, Texas was an audience favorite at the Sundance Film Festival but didn't do as well in wide release, probably because viewers expected a nonstop farce. But though the movie is a comedy, and a very funny one, its humor springs more from nuances of character than broad wackiness. The situations are a little predictable, but the performers--especially Macy--give it zest and genuine feeling. --Bret FetzerThree prisoners on a chain gang find themselves on the loose when their prison van overturns to avoid hitting an armadillo. Two of them--Jeremy Northam (An Ideal Husband, The Winslow Boy) and Steve Zahn (Out of Sight, That Thing You Do!)--steal an RV that turns out to belong to two junior-beauty-pageant promoters on their way to organize a pageant in Happy, Texas. When Northam and Zahn find themselves stuck in Happy, their only option is to follow through with their masquerade and put on the pageant. Unfortunately, the promoters are known to! be gay, which complicates matters when both men find themselves attracted to local women--Illeana Douglas (Grace of My Heart, Cape Fear) and Ally Walker (While You Were Sleeping, TV's Profiler). The cast is uniformly entertaining, but it's William H. Macy (Fargo, Pleasantville) who really steals the show as the town sheriff with a secret of his own. Happy, Texas was an audience favorite at the Sundance Film Festival but didn't do as well in wide release, probably because viewers expected a nonstop farce. But though the movie is a comedy, and a very funny one, its humor springs more from nuances of character than broad wackiness. The situations are a little predictable, but the performers--especially Macy--give it zest and genuine feeling. --Bret FetzerPopular stars Steve Zahn (FORCES OF NATURE, YOU'VE GOT MAIL, OUT OF SIGHT), Jeremy Northam (AN IDEAL HUSBAND, MIMIC), and William H. Macy (MYSTERY MEN, A CIVIL ACTION, F! ARGO) enliven a hilarious comedy where a case of mistaken iden! tity lea ds to a beauty of a con game! When escaped convicts Harry Sawyer (Northam) and Wayne Wayne Wayne Jr. (Zahn) are pulled over in the town of Happy, Texas ... while driving a stolen Winnebago ... they think they are being arrested. Rather, they're immediately welcomed as the vehicle's owners: a gay couple who've come to orchestrate the "Little Miss Fresh-Squeezed Pre-Teen" beauty pageant! Not ones to let a good con pass them by, the pair don't hesitate to adopt flamboyant new personalities ... and quickly meet with outrageously unpredictable consequences! With a great cast of stars playing an unusually offbeat collection of characters -- you'll be more than happy you picked up this laugh-out-loud comedy treat!Three prisoners on a chain gang find themselves on the loose when their prison van overturns to avoid hitting an armadillo. Two of them--Jeremy Northam (An Ideal Husband, The Winslow Boy) and Steve Zahn (Out of Sight, That Thing You Do!)--ste! al an RV that turns out to belong to two junior-beauty-pageant promoters on their way to organize a pageant in Happy, Texas. When Northam and Zahn find themselves stuck in Happy, their only option is to follow through with their masquerade and put on the pageant. Unfortunately, the promoters are known to be gay, which complicates matters when both men find themselves attracted to local women--Illeana Douglas (Grace of My Heart, Cape Fear) and Ally Walker (While You Were Sleeping, TV's Profiler). The cast is uniformly entertaining, but it's William H. Macy (Fargo, Pleasantville) who really steals the show as the town sheriff with a secret of his own. Happy, Texas was an audience favorite at the Sundance Film Festival but didn't do as well in wide release, probably because viewers expected a nonstop farce. But though the movie is a comedy, and a very funny one, its humor springs more from nuances of character than broad wackine! ss. The situations are a little predictable, but the performer! s--espec ially Macy--give it zest and genuine feeling. --Bret Fetzer

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Everybody Loves Raymond: The Series Finale

• DVD Details: Actors: Ray Romano, Patricia Heaton, Doris Roberts, Brad Garrett, Peter Boyle
• Writers: Philip Rosenthal
• Format: Closed-captioned, Color, DVD, Widescreen, NTSC
• Aspect Ratio: 1.78:1; Number of discs: 1; Studio: HBO Home Video
• DVD Release Date: May 24, 2005; Run Time: 30 minutes

Romance meets comedy in Woody Allen's first movie musical, and it's a glorious celebration of love that had audiences laughing and critics cheering. In intertwining stories, Joe's (Woody Allen) attempt to win the heart of Von (Julia Roberts) takes him to scenic Venice and Paris, while his ex-wife, Steffi (Goldie Hawn), and her current husband, Bob (Alan Alda), deal with erupting family matters in their swank but crowded Manhattan apartment. In the meantime, Steffi and Bob's daughter, Skylar (Drew Barrymore), is torn between two boyfriends (Edward Norton and Tim Roth), adding t! o the complications. But through it all, Allen's dream cast knows the perfect moment to express their emotions with a classic love song or a hilarious production number. Musical comedy has seldom been played with such wit, humor, and sophistication. Get ready to fall in love with love ... and to sing the praises of EVERYONE SAYS I LOVE YOU!Writer-director Woody Allen has produced yet another challenging and funny film, this time taking on the musical genre and bending it to his own unique vision. The result is one of the most charming films in recent years, as Allen assembles a typically sterling ensemble cast to evoke the romanticism of years past. This time, the large cast (including Alan Alda, Drew Barrymore, Goldie Hawn, Edward Norton, and Tim Roth) not only turn in funny and touching performances, but they sing the classic songs of the 1930s and 1940s themselves, and sing them very well. The plot centers on an extended family in New York and their various romantic enta! nglements, including Allen's pursuit of Julia Roberts through ! the stre ets of Paris and the canals of Venice. The musical numbers are the film's high point, displaying wonderful choreography ranging from a room full of dancing Groucho Marxes to a dancing couple in flight at the banks of the Seine. Everyone Says I Love You is a witty and entertaining fantasy, and a truly romantic escape. --Robert Lane Romance meets comedy in Woody Allen's first movie musical, and it's a glorious celebration of love that had audiences laughing and critics cheering. In intertwining stories, Joe's (Woody Allen) attempt to win the heart of Von (Julia Roberts) takes him to scenic Venice and Paris, while his ex-wife, Steffi (Goldie Hawn), and her current husband, Bob (Alan Alda), deal with erupting family matters in their swank but crowded Manhattan apartment. In the meantime, Steffi and Bob's daughter, Skylar (Drew Barrymore), is torn between two boyfriends (Edward Norton and Tim Roth), adding to the complications. But through it all, Allen's dream cast! knows the perfect moment to express their emotions with a classic love song or a hilarious production number. Musical comedy has seldom been played with such wit, humor, and sophistication. Get ready to fall in love with love ... and to sing the praises of EVERYONE SAYS I LOVE YOU!Writer-director Woody Allen has produced yet another challenging and funny film, this time taking on the musical genre and bending it to his own unique vision. The result is one of the most charming films in recent years, as Allen assembles a typically sterling ensemble cast to evoke the romanticism of years past. This time, the large cast (including Alan Alda, Drew Barrymore, Goldie Hawn, Edward Norton, and Tim Roth) not only turn in funny and touching performances, but they sing the classic songs of the 1930s and 1940s themselves, and sing them very well. The plot centers on an extended family in New York and their various romantic entanglements, including Allen's pursuit of Julia Roberts throu! gh the streets of Paris and the canals of Venice. The musical ! numbers are the film's high point, displaying wonderful choreography ranging from a room full of dancing Groucho Marxes to a dancing couple in flight at the banks of the Seine. Everyone Says I Love You is a witty and entertaining fantasy, and a truly romantic escape. --Robert Lane Writer-director Woody Allen has produced yet another challenging and funny film, this time taking on the musical genre and bending it to his own unique vision. The result is one of the most charming films in recent years, as Allen assembles a typically sterling ensemble cast to evoke the romanticism of years past. This time, the large cast (including Alan Alda, Drew Barrymore, Goldie Hawn, Edward Norton, and Tim Roth) not only turn in funny and touching performances, but they sing the classic songs of the 1930s and 1940s themselves, and sing them very well. The plot centers on an extended family in New York and their various romantic entanglements, including Allen's pursuit of Julia Roberts t! hrough the streets of Paris and the canals of Venice. The musical numbers are the film's high point, displaying wonderful choreography ranging from a room full of dancing Groucho Marxes to a dancing couple in flight at the banks of the Seine. Everyone Says I Love You is a witty and entertaining fantasy, and a truly romantic escape. --Robert Lane Your eyes will pop with this unique way of saying "I Love You"!

How do people around the world say "I Love You"? Each spread in this delightful pop-up book features a different country's way of saying these very special words along with a pop-up of an iconic element from that location. From the Statue of Liberty in America, to a gondola in Italy, to an African safari, everyone will love learning how people around the world express themselves.Mira Sorvino won an Oscar for her performance as a bubbleheaded hooker and porn star who happens to be the mother of a bright young boy adopted by a Manhattan couple (Woody! Allen and Helena Bonham Carter). The story finds Allen's spor! tswriter character becoming curious about the identity of his son's biological mom, and he strikes up a relationship with her without revealing why. This 27th feature written and directed by Allen is a nice combination of smart comedy and some of the wackier energy of his earliest movies. (Between scenes, there's a running gag involving a Greek chorus--actually filmed among some real Greek ruins--who do song-and-dance interpretations of the script's events.) This isn't Allen at his best, but it is a fine minor work graced by Sorvino's spin on the cinema's archetypal dumb blonde. --Tom KeoghHow do you say goodbye to the show The New York Times called "The sitcom of our times?" Find out as the series bids a fond farewell, delivering the same good cheer and classic humor that has charmed us for nine seasons. DVD includes the series finale plus the original pilot episode of Everybody Loves Raymond which aired on CBS on September 16, 1996!

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Honeydripper

• From Oscar® nominated director, John Sayles, comes an electrifying and vivid rock 'n' roll fable. When Tyrone, owner of the Honeydripper lounge, is faced with having to shut down his juke joint, his hopes rest on one man the famous Guitar Sam. It's a make or break weekend for the Honeydripper, this better be some Saturday night! With exquisite performances by Danny Glover, Char

Nicole Beharie (The Express), Will Patton (Entrapment, The Postman), Charles Dutton (TV's Roc, Mimic) and Alfre Woodard (TV's Desperate Housewives, Primal Fear) star in this gripping true-life story. Falsely accused of distributing narcotics in a school zone, Dee Roberts (Beharie) is offered a deal she can't refuse: plead guilty and accept a 10-year suspended sentence. The alternative: risk serving 16-to-25 in jail. Realizing a conviction would ru! in her life, Dee decides to fight back. Suing the DA for racial discrimination, Dee battles impossible odds in a case that will not only change her life but the laws of Texas as well.American Violet may be based on the story of outrageous injustices committed against Regina Kelly of Hearne, Texas, but that does not make it a good film. It is, at best, a bad film with an important message. American Violet is about a single mother of four, Dee Roberts (Nicole Beharie), who is wrongly convicted of drug charges due to police racism and corruption. As she struggles to stay out of prison with the help of her mother, Alma (Alfre Woodard), Dee exemplifies a stalwart woman who refuses to plead guilty when offered a plea bargain. While names of characters and the town itself are changed, the story in American Violet is allegedly altered only slightly in hopes of maintaining its tragic truth, that a plea-bargain system in Texas forced, in this case, impoverished a! nd sometimes innocent African Americans to accept guilty charg! es and t heir negative aftereffects. American Violet's melodramatic sensibility attempts to spark the same indignation that fuels ACLU lawyer David Cohen (Tim Blake Nelson) to embark on a lawsuit against the head racist, district attorney Calvin Beckett (Michael O'Keefe). Cohen, with the help of a former narcotics officer, Sam Conroy (Will Patton), discovers enough evidence to disturb any viewer. While it is crucial to have artful dialogue about this politically offensive topic, American Violet is not finely scripted or cinematically engaging enough to elevate it above second-hand documentary. Still, since the film does cover meaningful territory, there may be a place for it in classrooms, or it may inspire others to work on further exposing gross injustice for the benefit of our society. --Trinie DaltonNicole Beharie (The Express), Will Patton (Entrapment, The Postman), Charles Dutton (TV's Roc, Mimic) and Alfre Wooda! rd (TV's Desperate Housewives, Primal Fear) star in this gripping true-life story. Falsely accused of distributing narcotics in a school zone, Dee Roberts (Beharie) is offered a deal she can't refuse: plead guilty and accept a 10-year suspended sentence. The alternative: risk serving 16-to-25 in jail. Realizing a conviction would ruin her life, Dee decides to fight back. Suing the DA for racial discrimination, Dee battles impossible odds in a case that will not only change her life but the laws of Texas as well.American Violet may be based on the story of outrageous injustices committed against Regina Kelly of Hearne, Texas, but that does not make it a good film. It is, at best, a bad film with an important message. American Violet is about a single mother of four, Dee Roberts (Nicole Beharie), who is wrongly convicted of drug charges due to police racism and corruption. As she struggles to stay out of prison with the help of her mot! her, Alma (Alfre Woodard), Dee exemplifies a stalwart woman wh! o refuse s to plead guilty when offered a plea bargain. While names of characters and the town itself are changed, the story in American Violet is allegedly altered only slightly in hopes of maintaining its tragic truth, that a plea-bargain system in Texas forced, in this case, impoverished and sometimes innocent African Americans to accept guilty charges and their negative aftereffects. American Violet's melodramatic sensibility attempts to spark the same indignation that fuels ACLU lawyer David Cohen (Tim Blake Nelson) to embark on a lawsuit against the head racist, district attorney Calvin Beckett (Michael O'Keefe). Cohen, with the help of a former narcotics officer, Sam Conroy (Will Patton), discovers enough evidence to disturb any viewer. While it is crucial to have artful dialogue about this politically offensive topic, American Violet is not finely scripted or cinematically engaging enough to elevate it above second-hand documentary. Still, since the film ! does cover meaningful territory, there may be a place for it in classrooms, or it may inspire others to work on further exposing gross injustice for the benefit of our society. --Trinie DaltonFrom Oscar® nominated director, John Sayles, comes an electrifying and vivid rock 'n' roll fable. When Tyrone, owner of the Honeydripper lounge, is faced with having to shut down his juke joint, his hopes rest on one manâ€"the famous Guitar Sam. It's a make or break weekend for the Honeydripper, this better be some Saturday night!

With exquisite performances by Danny Glover, Charles S. Dutton, Stacy Keach, Mary Steenburgen and Sean Patrick Thomas; and featuring musicians Keb' Mo' and Dr. Mable Johnâ€"Honeydripper is an award winning film, full of great music and plenty of soul.Music has often played a significant part in John Sayles' stories, but in Honeydripper it largely is the story, as the veteran writer-director’s 2007 film depicts a significant (if myt! hical) turning point when the past reluctantly gave way to the! future. The year is 1950. In the somewhat ironically-named town of Harmony, Alabama, old school blues pianist Tyrone "Pinetop" Purvis (Danny Glover) and his funky roadhouse, the Honeydripper, are on the skids, rapidly losing customers to the joint next door, where young people are flocking to hear more modern sounds. Against his better judgment, Pinetop dismisses his dignified but out-of-date singer (played by Dr. Mable John, one of the several real musicians who lend the film considerable authenticity) and books "New Orleans sensation" Guitar Sam, hoping to save his club from foreclosure. But Guitar Sam proves to be as elusive as Godot, and as the big night approaches, Pinetop is running out of ideas. Enter young Sonny Blake (Gary Clark Jr.), who ambles into town with his newfangled, self-constructed electric guitar and proceeds to rock the house with a style that suggests a combination of T-Bone Walker and Chuck Berry and effectively ushers in the rock 'n' roll era. Story-wise, t! hat's about it. This is a character-driven film, and there are a lot of good ones, including Lisa Gay Hamilton as Tyrone’s conflicted wife, Charles Dutton as his partner, and Stacey Keach as the corrupt local lawman. It's also a film loaded with metaphors and symbols, including the electric guitar as the dividing line between old and new and blues musician Keb' Mo' as a kind of one-man Greek chorus, dispensing homilies before disappearing into the shadows. The pace is leisurely, the dialogue colorful, and Sayles (who not only edited the film but has a small acting role as well) once again shows himself to be a modest master at creating movies for those looking for good, no-frills entertainment. A 30-minute making-of featurette and cast interviews are the principal bonus features. --Sam Graham

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Ghost Ship [Blu-ray]

• Danger dead ahead! Dark Castle - makers of the updated House of Wax and House on Haunted Hill - invites you to take a cruise on Ghost Ship.Julianna Margulies, Gabriel Byrne and Isaiah Washington are aboard a mysteriously adrift luxury liner hexed by a seafaring collector of souls. Format: BLU-RAY DISC Genre: HORROR Rating: R Age: 883929066568 UPC: 883929066568 Man

In a remote region of the Bering Sea, a boat salvage crew discovers the eerie remains of a grand passenger liner thought lost for more than 40 years. Once onboard, the crew must confront the ship's horrific past and face the ultimate fight for their lives.

DVD Features:
Additional Scenes
DVD ROM Features
Documentaries:Three shivery how-they-did-it pieces: A Closer Look at the Gore; Designing the Ghost Ship; Visual Effects
Music Video:"Not Falling" - Mudvayne
Theatrical Trail! er

While it offers nothing new for horror buffs, Ghost Ship relocates its haunted house clichés to an eerily effective setting. The Italian luxury liner Antonia Graza, its fate a mystery for 40 years, has suddenly reappeared in the chilly Bering Sea. Lured by a seemingly harmless proposition, Gabriel Byrne and Julianna Margulies lead a salvage crew (including Ron Eldard, Margulies's offscreen partner and fellow ER alumnus) to claim the wreck. But a grisly prologue--in which we witness the horrific fate of the ship's crew and passengers--makes it clear that bad things are going to happen. And they do... with the predictability of tomorrow's sunrise. The supporting cast is routinely dispatched, but their fates are determined amid outstanding art direction, slick cinematography, and judicious digital trickery, all primed to maximize the doom-laden atmosphere. Director Steve Beck (who remade 13 Ghosts a year earlier) won't win any awards ! for ingenuity, but Ghost Ship offers a few good chills ! for a da rk and stormy night. --Jeff Shannon GHOST SHIP - Blu-Ray MovieWhile it offers nothing new for horror buffs, Ghost Ship relocates its haunted house clichés to an eerily effective setting. The Italian luxury liner Antonia Graza, its fate a mystery for 40 years, has suddenly reappeared in the chilly Bering Sea. Lured by a seemingly harmless proposition, Gabriel Byrne and Julianna Margulies lead a salvage crew (including Ron Eldard, Margulies's offscreen partner and fellow ER alumnus) to claim the wreck. But a grisly prologue--in which we witness the horrific fate of the ship's crew and passengers--makes it clear that bad things are going to happen. And they do... with the predictability of tomorrow's sunrise. The supporting cast is routinely dispatched, but their fates are determined amid outstanding art direction, slick cinematography, and judicious digital trickery, all primed to maximize the doom-laden atmosphere. Director Steve Beck (who remade ! 13 Ghosts a year earlier) won't win any awards for ingenuity, but Ghost Ship offers a few good chills for a dark and stormy night. --Jeff Shannon

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D.O.A. - Dead or Alive

• Four gorgeous women are invited to a remote island to participate in a fighting tournament. Format: DVD MOVIE Genre: ACTION/ADVENTURE Rating: R Age: 796019796941 UPC: 796019796941 Manufacturer No: 79694

Four gorgeous women are invited to a remote island to participate in a fighting tournament.Based on the popular video-game series, Corey (The Transporter) Yuen's DOA: Dead Or Alive brings together cheesecake titillation and martial-arts action in a lightweight slice of exploitation that's sure to keep its largely young and male audience happy. Jaime Pressly (My Name is Earl) is top-billed as a pro wrestler who joins a no-holds-barred brawling competition on a remote island; once there, she discovers that the tournament's sponsor, Donovan (Eric Roberts at his toothiest and oiliest), has nefarious plans up his sleeve, and the competitors (which include Devon Aoki, Ho! lly Valance, and the always impressive Kane Kosugi) must bond together to fight a common enemy. As with 2007's The Condemned, DOA: Dead Or Alive is the 21st century equivalent of an early '70s drive-in movie: Proudly loud and lunkheaded, its main function is to cram as much fighting and bikini-clad women into its running time as possible, and to that end, it's enormously successful. Director Yuen understands this, and wisely skews the tone towards the broadly (ahem) tongue-in-cheek; Pressly (whose knack for comedy doesn't get as much mileage here) and the rest of her castmates look good and move well, and the fighting, while not on par with Hong Kong or Thai standards, is plentiful and flashy. If you come expecting this and nothing else, you'll have a fine time with DOA: Dead Or Alive. --Paul Gaita

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Friends & Lovers

• Condition: New
• Format: DVD
• Color; Dolby; DVD; Full Screen; NTSC

What happens when friends cross the line and become lovers? Lies fly, emotions erupt, and the stage is set for a totally uncensored, hilarious, and outrageously entertaining adventure in seduction, betrayal, heartbreak, revenge, and oh-so-sweet true love. Shelby Daniels and her best friend Debra Mitchell have just gotten off the sex-before-marriage merry-go-round with men. Each has gone looking for love, found love, lost love, and at this point, sworn off men forever-- until Debra meets Leonard DuBois, an aspiring stand-up comedian who tries to laugh his way into her heart. But the laughter stops when he is forced to confront some hurdles of his own. Debra has devoted her mind, body, heart and soul to God, so if he wants to ride with her, he'll have to produce the ring. In the meantime, feisty, nosy, attitude-pack! ing flight attendant Shelby keeps intervening in Debra's business. Needing someone to run interference and get rid of Shelby, Leonard calls on his best buddy, Tyrel, a sexy and charming computer software designer unable to design the perfect woman. On the rebound, Shelby keeps her heart locked away, but when Tyrel finds the key, the attraction is instant and so are the consequences. Their relationship moves at warp speed, leaving Shelby confronting a decision that could turn her whole life around and break both of their hearts. As a result, friendships fall by the wayside, jealousy come into play, and sisterhood is torn apart. It takes tragedy on a grand scale to reunite lovers destined for each other and teach both couples that friendship is perhaps the most valuable gift they've been given in this hilarious tale of friendship, love, and faith that speaks directly to the heart. Based on the best-selling novel by Eric Jerome Dickey (EJD).

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Wanted Dead or Alive - The Complete Series

• The hit television series that launched the career of big-screen legend Steve McQueen is now released by Mill Creek Entertainment. Wanted: Dead or Alive - The Complete Series has all 94 episodes featured on 11 DVDs, for hours of entertainment for fans new and old!Josh Randall (McQueen) was not a typical rough-hewn bounty hunter of the Old West; he was a consummate gentleman who many times gave awa

Studio: Lions Gate Home Ent. Release Date: 10/04/2011 Run time: 154 minutes Rating: RIf you're not a connoisseur of graphic horror and gruesome gore, you'd better steer clear of this wicked 1992 horror-comedy from the demented mind and delirious camera of New Zealand-born writer-director Peter Jackson. However, if nonstop mayhem and extreme violence are your idea of great entertainment, you're sure to appreciate Jackson's gleefully inventive approach to a story that can judiciously be described a! s sick, twisted, and totally outrageous. The movie's central character is a poor schmuck named Lionel who's practically enslaved to his domineering mother. But when ol' Mum gets bitten by a rare and poisonous rat monkey from Skull Island and is turned into a flesh-eating zombie, Lionel has the unfortunate task of keeping Mama happy while fending off all the other zombies that result from her voracious feeding frenzies. If you've read this far, you'll either be crying out for censorship or eagerly awaiting your first viewing (or second, or third...) of this wildly clever and audaciously uninhibited movie. And while director Jackson would later achieve critical success with his fact-based drama Heavenly Creatures, his talent is readily evident in this earlier effort. If you find this kind of thing even remotely appealing, consider Dead Alive a must-see movie. --Jeff Shannon Peter Jackson proves that if gory is funny, then excessive gory is downright hyste! rical. As our hapless hero wades through an ankle-deep puddle ! of blood and entrails, brandishing a lawnmower like a portable Cuisinart at the climax of this zombie-fest, you'll either be screaming with laughter or fleeing in disgust. Timothy Balme stars as the shy mama's boy Lionel, whose controlling shrew of a mother (Elizabeth Moody) starts rotting away, literally, with a vague supernatural disease. Mother dies but refuses to stay down, rising as a flesh-eating zombie infecting everyone she bites. Lionel tries to hide her in the basement, but the victims keep piling up and finally break out when Lionel's blackmailing uncle (a grotesque, leering Ian Watkin) throws a party in the house. It's snack time as the guests become undead hors d'oeuvres and rise again as hungry soldiers of the new zombie army marching on Lionel and his girl Pacquita (the lovely Diana Penalver). New Zealand goremeister Jackson pulls out all stops in this truly outrageous sanguinary comedy, from gross-out gags of oozing puss and rotting body parts at a formal dinner to s! lapstick antics as Lionel tries to keep his flesh-hungry mother sedated during the funeral to the final Freudian showdown between a now-monstrous mother and the newly liberated Lionel. If you like your horror with a sense of humor or your comedy with gristle, then wade through this taboo-busting bucket of blood. --Sean AxmakerDEAD ALIVE - DVD MovieIf you're not a connoisseur of graphic horror and gruesome gore, you'd better steer clear of this wicked 1992 horror-comedy from the demented mind and delirious camera of New Zealand-born writer-director Peter Jackson. However, if nonstop mayhem and extreme violence are your idea of great entertainment, you're sure to appreciate Jackson's gleefully inventive approach to a story that can judiciously be described as sick, twisted, and totally outrageous. The movie's central character is a poor schmuck named Lionel who's practically enslaved to his domineering mother. But when ol' Mum gets bitten by a rare and poisonous rat mo! nkey from Skull Island and is turned into a flesh-eating zombi! e, Lione l has the unfortunate task of keeping Mama happy while fending off all the other zombies that result from her voracious feeding frenzies. If you've read this far, you'll either be crying out for censorship or eagerly awaiting your first viewing (or second, or third...) of this wildly clever and audaciously uninhibited movie. And while director Jackson would later achieve critical success with his fact-based drama Heavenly Creatures, his talent is readily evident in this earlier effort. If you find this kind of thing even remotely appealing, consider Dead Alive a must-see movie. --Jeff Shannon Peter Jackson proves that if gory is funny, then excessive gory is downright hysterical. As our hapless hero wades through an ankle-deep puddle of blood and entrails, brandishing a lawnmower like a portable Cuisinart at the climax of this zombie-fest, you'll either be screaming with laughter or fleeing in disgust. Timothy Balme stars as the shy mama's boy Lionel, wh! ose controlling shrew of a mother (Elizabeth Moody) starts rotting away, literally, with a vague supernatural disease. Mother dies but refuses to stay down, rising as a flesh-eating zombie infecting everyone she bites. Lionel tries to hide her in the basement, but the victims keep piling up and finally break out when Lionel's blackmailing uncle (a grotesque, leering Ian Watkin) throws a party in the house. It's snack time as the guests become undead hors d'oeuvres and rise again as hungry soldiers of the new zombie army marching on Lionel and his girl Pacquita (the lovely Diana Penalver). New Zealand goremeister Jackson pulls out all stops in this truly outrageous sanguinary comedy, from gross-out gags of oozing puss and rotting body parts at a formal dinner to slapstick antics as Lionel tries to keep his flesh-hungry mother sedated during the funeral to the final Freudian showdown between a now-monstrous mother and the newly liberated Lionel. If you like your horror with a! sense of humor or your comedy with gristle, then wade through! this ta boo-busting bucket of blood. --Sean AxmakerThe hit television series that launched the career of big-screen legend Steve McQueen is now released by Mill Creek Entertainment.

Wanted: Dead or Alive - The Complete Series has all 94 episodes featured on 11 DVDs, for hours of entertainment for fans new and old!

Josh Randall (McQueen) was not a typical rough-hewn bounty hunter of the Old West; he was a consummate gentleman who many times gave away half - or even all - of his reward money to charity. He was a man of few words and he carried a Winchester sawed-off shotgun, which he wore on his belt and fondly called his "Mare's Leg". Originally aired on CBS from 1958 - 1961, Wanted: Dead or Alive was the TV series that launched Steve McQueen back into the film industry in the western classic The Magnificent Seven.

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I Think Everybody Should Like Everybody - Fine Art Print - 35.5x28cm - Art247.com Poster Print

• Fine Art Print
• 35.5x28cm

Robert DeNiro leads an acclaimed all-star cast Drew Barrymore, Kate Beckinsale and Sam Rockwell in Everybody s Fine, the heartwarming film that will move you to laughter and tears. When Frank Goode's (DeNiro) grown children cancel a family reunion, the recent widower sets off on a cross-country journey to reconnect with each of them. Expecting to share in the joys of their happy, successful lives, his surprise visits reveal a picture that's far from perfect. A family separated by physical and emotional distance finds a way to come together in a story that will touch your heart.

Bonus Features include The Making Of Paul McCartney's (I Want To) Come Home, Deleted & Extended ScenesOne thing Robert De Niro can't be accused of is avoiding a challenge. Everybody's Fine obliges this respected actor, who made his bones playing dangerous, volatile men, ! to portray a low-key retiree named Frank Goode. Frank's wife has died, and since she alone kept them in touch with their four grown offspring, now scattered around the country, he's doubly cut off from family. When the Goode kids all find excuses to skip a planned reunion, Frank hauls out his suitcase and boards Amtrak with the intention of dropping in on each of them: the tightly wound Chicago ad exec (Kate Beckinsale), the Denver musician (Sam Rockwell) who's supposedly a symphony conductor, the sweet Vegas showgirl (Drew Barrymore), and the Greenwich Village artist son who's nowhere to be found. That son remains offscreen for the duration, and his portentous absence has the unintended effect of emphasizing what a hollow enterprise Everybody's Fine is. Don't blame the cast, who do yeoman work trying to define their long-unsatisfactory relationship as parent and children. None of the kids hate Dad; they just never found a measure of comfort with him, so now everyb! ody, far from being fine, is living one fiction or another to ! keep it mellow. For his part, Frank suffers from an undefined illness brought on by his life's work making insulation for phone wires; and lo, throughout his journey we're urged to notice telephone cables slipping by outside the train or bus window--lines of communication!--even as the siblings are warily monitoring Dad's progress by cell phone. Writer-director Kirk Jones once made an ersatz-Irish movie, Waking Ned Devine (1997), that vulgarized ethnicity in the interests of cheap laughs and patronizing sentimentality. In Everybody's Fine Jones manages the neat trick of vulgarizing delicacy. The movie wants to pass for a sensitive meditation on the white lies people tell one another and themselves. But it so reeks of bad faith and calculation that the message isn't worth delivering. --Richard T. Jameson

Stills from Everybody's Fine (Click for larger image)

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Robert DeNiro lead! s an acc laimed all-star cast- Drew Barrymore, Kate Beckinsale and Sam Rockwell- in Everybody's Fine, the heartwarming film that will move you to laughter and tears. When Frank Goode's (DeNiro) grown children cancel a family reunion, the recent widower sets off on a cross country journey to reconnect with each of them. Expecting to share in the joys of their happy, successful lives, his surprise visits reveal a picture that's far from perfect. A family seperated by physical and emotional distance finds a way to come together in a story that will touch your heart.One thing Robert De Niro can't be accused of is avoiding a challenge. Everybody's Fine obliges this respected actor, who made his bones playing dangerous, volatile men, to portray a low-key retiree named Frank Goode. Frank's wife has died, and since she alone kept them in touch with their four grown offspring, now scattered around the country, he's doubly cut off from family. When the Goode kids all find excuses to ski! p a planned reunion, Frank hauls out his suitcase and boards Amtrak with the intention of dropping in on each of them: the tightly wound Chicago ad exec (Kate Beckinsale), the Denver musician (Sam Rockwell) who's supposedly a symphony conductor, the sweet Vegas showgirl (Drew Barrymore), and the Greenwich Village artist son who's nowhere to be found. That son remains offscreen for the duration, and his portentous absence has the unintended effect of emphasizing what a hollow enterprise Everybody's Fine is. Don't blame the cast, who do yeoman work trying to define their long-unsatisfactory relationship as parent and children. None of the kids hate Dad; they just never found a measure of comfort with him, so now everybody, far from being fine, is living one fiction or another to keep it mellow. For his part, Frank suffers from an undefined illness brought on by his life's work making insulation for phone wires; and lo, throughout his journey we're urged to notice telep! hone cables slipping by outside the train or bus window--li! nes of c ommunication!--even as the siblings are warily monitoring Dad's progress by cell phone. Writer-director Kirk Jones once made an ersatz-Irish movie, Waking Ned Devine (1997), that vulgarized ethnicity in the interests of cheap laughs and patronizing sentimentality. In Everybody's Fine Jones manages the neat trick of vulgarizing delicacy. The movie wants to pass for a sensitive meditation on the white lies people tell one another and themselves. But it so reeks of bad faith and calculation that the message isn't worth delivering. --Richard T. JamesonOriginal soundtrack to the 2009 holiday film composed by Academy Award-winner David Marianelli. Everybody's Fine, a remake of Giuseppe Tornatore's Stanno Tutti Bene, follows a widower (Robert De Niro) who embarks on an impromptu road trip to reconnect with each of his grown children (Drew Barrymore, Kate Beckinsale, and Sam Rockwell) only to discover that their lives are far from picture perfect. At the hea! rt of Everybody's Fine is the theme of family and physical and emotional distances traveled to bring the members back together.One thing Robert De Niro can't be accused of is avoiding a challenge. Everybody's Fine obliges this respected actor, who made his bones playing dangerous, volatile men, to portray a low-key retiree named Frank Goode. Frank's wife has died, and since she alone kept them in touch with their four grown offspring, now scattered around the country, he's doubly cut off from family. When the Goode kids all find excuses to skip a planned reunion, Frank hauls out his suitcase and boards Amtrak with the intention of dropping in on each of them: the tightly wound Chicago ad exec (Kate Beckinsale), the Denver musician (Sam Rockwell) who's supposedly a symphony conductor, the sweet Vegas showgirl (Drew Barrymore), and the Greenwich Village artist son who's nowhere to be found. That son remains offscreen for the duration, and his portentous absence has the! unintended effect of emphasizing what a hollow enterprise ! Everybod y's Fine is. Don't blame the cast, who do yeoman work trying to define their long-unsatisfactory relationship as parent and children. None of the kids hate Dad; they just never found a measure of comfort with him, so now everybody, far from being fine, is living one fiction or another to keep it mellow. For his part, Frank suffers from an undefined illness brought on by his life's work making insulation for phone wires; and lo, throughout his journey we're urged to notice telephone cables slipping by outside the train or bus window--lines of communication!--even as the siblings are warily monitoring Dad's progress by cell phone. Writer-director Kirk Jones once made an ersatz-Irish movie, Waking Ned Devine (1997), that vulgarized ethnicity in the interests of cheap laughs and patronizing sentimentality. In Everybody's Fine Jones manages the neat trick of vulgarizing delicacy. The movie wants to pass for a sensitive meditation on the white lies people ! tell one another and themselves. But it so reeks of bad faith and calculation that the message isn't worth delivering. --Richard T. JamesonAndy Warhol I Think Everybody Should Like Everybody Quote Art Print Poster - 11x14

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