G-Force (Single Disc Widescreen)

• Buckle up for thrilling edge-of-your seat action and laugh-out-loud fun in Disney's family comedy adventure G-FORCE. Just as the G-Force -- an elite team of highly trained guinea pigs -- is about to save the world, the F.B.I. shuts the secret unit down. But these next-generation action heroes -- Darwin, loyal team leader; Blaster, weapons expert with attitude to spare; Juarez, drop-dead gorgeous m

Buckle up for thrilling edge-of-your-seat action and laugh-out-loud fun in Disney’s family comedy adventure G-Force. Just as the G-Force â€" an elite team of highly trained guinea pigs â€" is about to save the world, the F.B.I. shuts the secret unit down. But these next-generation action heroes â€" Darwin, loyal team leader; Blaster, weapons expert with attitude to spare; Juarez, drop-dead gorgeous martial arts diva; and tag-along Hurley â€" won’t be stopped. Armed with the latest in hi! gh-tech spy equipment, and with the F.B.I. on their tails, the fur flies as they race against the clock to save the world. From the producer of the Pirates Of The Caribbean trilogy and National Treasure, and filled with high-octane action, daredevil stunts, cutting-edge special effects and outrageous comedy, G-Force is fantastic fun for the whole family.G-Force just might be the best Jerry Bruckheimer action film in many a moon. The film is exuberant, and its premise--don't think big for an animated caper film, think small--brilliantly upends the more-bigger-faster trope of American action films… with cute, little, furry guinea pigs.

Bruckheimer, the action genius behind the likes of the Pirates of the Caribbean, Con Air, The Rock, Armageddon, and many more, here teams with visual effects maestro Hoyt Yeatman, who writes and directs. The combo is potent, and the fact that they str! eamed their blow-'em-up vision through a film about tiny roden! ts savin g the world makes the whole confection a hilarious family-friendly experience as well as a satisfying action adventure. The premise isn't earth-shattering: oddball, unexpected heroes are called on to save the day (Men in Black, Underdog, etc.). But the lowly guinea pig has been long overdue to get its moment in the spotlight. And now the free world knows whom it can really trust. The film mixes the animated heroes with real-life actors, including the sardonic British character actor Bill Nighy, who plays an evil mogul out to take over and/or destroy the world. The U.S. government, it turns out, has been nurturing a special squad for occasions just such as this. It's just that it's been nurturing them in small pens with wood shavings on the floor and running wheels for exercise. Will Arnett, deadpan and spot-on, plays the human agent who has the unenviable task of wrangling the guinea pig G-Force, and is a deft foil for the bad guys as well as for the mini-h! eroes.

But the true powerhouse acting belongs to those giving voices to the guinea pig agents, including Sam Rockwell, Penélope Cruz, Steve Buscemi, and, as the voice of a domesticated layabout, Jon Favreau. The film's standout, though, is Tracy Morgan, whose Agent Blaster is bellicose, fearless, and as full of malapropisms as Morgan's character on 30 Rock. (In fact, the viewer keeps half-expecting Blaster to turn to Cruz's female agent, Juarez, and yell "Liz Lemon!") G-Force is full of belly laughs for kids, as well as their action-film-fan parents. --A.T. Hurley

Stills from G-Force (Click for larger image)

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Christmas in the Clouds

• A surprise visit by a major travel guide to the Native America run Sky Mountain Resort sparks mayhem and romance in this critically praised holiday feature. Shot on the stunning grounds of the acclaimed Sundance Institute, Christmas in the Clouds is a thoroughly enjoyable comedy and an instant holidayic.Starring: Tim Vahle (Walking Tall: Lone Justice), M. Emmet Walsh (Racing Stripes, Blood Simple)

Features include:

•MPAA Rating: PG
•Format: DVD
•Runtime: 94 minutes


Features include:

•MPAA Rating: PG
•Format: DVD
•Runtime: 96 minutes

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Breakfast of Champions: A Novel

• ISBN13: 9780385334204
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

In Breakfast of Champions, one of Kurt Vonnegut’s  most beloved characters, the aging writer Kilgore Trout, finds to his horror that a Midwest car dealer is taking his fiction as truth. What follows is murderously funny satire, as Vonnegut looks at war, sex, racism, success, politics, and pollution in America and reminds us how to see the truth."We are healthy only to the extent that our ideas are humane." So reads the tombstone of downtrodden writer Kilgore Trout, but we have no doubt who's really talking: his alter ego Kurt Vonnegut. Health versus sickness, humanity versus inhumanity--both sets of ideas bounce through this challenging and funny book. As with the rest of Vonnegut's pure! fantasy, it lacks the shimmering, fact-fueled rage that illuminates Slaughterhouse-Five. At the same time, that makes this book perhaps more enjoyable to read.

Breakfast of Champions is a slippery, lucid, bleakly humorous jaunt through (sick? inhumane?) America circa 1973, with Vonnegut acting as our Virgil-like companion. The book follows its main character, auto-dealing solid-citizen Dwayne Hoover, down into madness, a condition brought on by the work of the aforementioned Kilgore Trout. As Dwayne cracks, then crumbles, Breakfast of Champions coolly shows the effects his dementia has on the web of characters surrounding him. It's not much of a plot, but it's enough for Vonnegut to air unique opinions on America, sex, war, love, and all of his other pet topics--you know, the only ones that really count.

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Dreamgirls (Widescreen Edition)

• Actors: Jamie Foxx, Eddie Murphy, Jennifer Hudson, Beyoncé Knowles.
• Format: AC-3, Color, Dolby, Dubbed, DVD, Subtitled, Widescreen, NTSC.
• Language: English (Dolby Digital 2.0 Surround), English (Dolby Digital 5.1), French (Dolby Digital 5.1).
• Region: Region 1 (U.S. and Canada only).
• DVD Release Date: May 1, 2007. Run Time: 130 minutes.

Director Bill Condon brings Tom Eyen's Tony award-winning Broadway musical to the big screen in a tale of dreams, stardom, and the high cost of success in the cutthroat recording industry. The time is the 1960s, and singers Effie (Jennifer Hudson), Lorrell (Anika Noni Rose), and Deena (Beyoncé Knowles) are about to find out just what it's like to have their wildest dreams come true. Discovered at a local talent show by ambitious manager Curtis Taylor Jr. (Jamie Foxx), the trio known as "the Dreamettes" is soon offered the once-! in-a-lifetime opportunity of opening for popular singer James "Thunder" Early (Eddie Murphy). Subsequently molded into an unstoppable hit machine by Taylor and propelled into the spotlight as "the Dreams," the girls quickly find their bid for the big time taking priority over personal friendship as Taylor edges out the ultra-talented Effie so that the more beautiful Deena can become the face of the group. Now, as the crossover act continues to dominate the airwaves, the small-town girls with big-city dreams slowly begin to realize that the true cost of fame may be higher than any of them ever anticipated.The spirit of Motown runs through the long-awaited film adaption of the Broadway musical Dreamgirls, which centers around a young female singing trio who burst upon the music scene in the '60s, complete with bouffant hairdos, glitzy gowns, and a soul sound new to the white-bread American music charts. Sound familiar? You aren't the first one to draw comparisons to th! e meteoric rise of the Supremes, and despite any protests to t! he contr ary, this is most definitely a thinly veiled reinterpretation of that success story. The Dreamettes--statuesque Deena (Beyonce Knowles), daffy Lorell (Anika Noni Rose) and brassy Effie (Jennifer Hudson)--are a girl group making the talent-show rounds when they're discovered by car salesman and aspiring music manager Curtis Taylor Jr. (Jamie Foxx). Sensing greatness (as well as a new marketing opportunity) Curtis signs the Dreamettes as backup singers for R&B star James "Thunder" Early (Eddie Murphy). But when Early's mercurial ways and singing style don't mesh with primarily white audiences, Curtis moves the newly-renamed Dreams to center stage--with Deena as lead singer in place of Effie. And that's not the only arena in which Effie is replaced, as Curtis abandons their love affair for a relationship with star-in-the-making Deena.

Besides the Supremes comparison, one can't talk about Dreamgirls now without revisiting its notorious Oscar snub; though it received ! eight nominations, the most for any film from 2006, it was shut out of the Best Picture and Director races entirely. Was the oversight justified? While Dreamgirls is certainly a handsomely mounted, lovingly executed and often vibrant film adaptation, it inspires more respect than passion, only getting under your skin during the musical numbers, which become more sporadic as the film goes on. Writer-director Bill Condon is definitely focused on recreating the Motown milieu (down to uncanny photographs of Knowles in full Diana Ross mode), he often forgets to flesh out his characters, who even on the Broadway stage were underwritten and relied on powerhouse performances to sell them to audiences. (Stage fans will also note that numerous songs are either truncated or dropped entirely from the film.) Condon has assembled a game cast, as Knowles does a canny riff on the essence of Diana Ross' glamour (as opposed to an all-out impersonation) and Rose makes a peripheral char! acter surprisingly vibrant; only Foxx, who never gets to pour ! on the c harisma, is miscast. Still, there are two things even the most cranky viewers will warm to in Dreamgirls: the performances of veteran Eddie Murphy and newcomer Jennifer Hudson. Murphy is all sly charm and dazzling energy as the devilish Early, who's part James Brown, part Little Richard, and all showman. And Hudson, an American Idol contestant who didn't even make the top three, makes an impressive debut as the larger-than-life Effie, whose voice matches her passions and stubbornness. Though she sometimes may seem too young for the role, Hudson nails the movie's signature song, "And I Am Telling You I'm Not Going," with a breathtaking power that must be seen and heard to believe. And for those five minutes, if not more, you will be in Dreamgirls' thrall. --Mark Englehart

Beyond Dreamgirls

Other Musicals on DVD

More Motown on DVD

The Soundtrack

Stills from Dreamgirls (click for larger image)

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2b Sabrina One-Shoulder Animal Print Dress - WINTER WILD ANIMAL (L)

• 97% polyester, 3% spandex.
• Machine wash.
• Imported.
• SKU 186697
• Style 70A5C202N337
• Mannequin is wearing a US size S.

Ruffled neckline, sheer sleeve action, ruching at sides, and hot print make this 2b dress a retro-modern way to turn up the heat on your party collection. Offers full-interior lining. Elevate it with metallic accented heels for glam allure. Shoulder back to hem: 28".

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Friday the 13th Part VII: The New Blood Movie Mask Knife Poster Print - 24x36

• decorate your walls with this brand new poster
• easy to frame and makes a great gift too
• ships quickly and safely in a sturdy protective tube
• measures 24.00 by 36.00 inches (60.96 by 91.44 cms)

What chance does a teenage girl have against a maniacal maniac with a machete? Pack your bags and return to Crystal Lake to find out for yourself . . . if you dare! In Friday the 13th Part VII: The New Blood - Deluxe Edition, young Tina Shepard possesses the gift of telekinesis, allowing her to move things and see the future, using the power of her mind. But when a devious doctor tries to exploit her ability, the gift becomes a hellish curse. Tina unwittingly unchains the merciless, bloodthirsty Jason Voorhees from his watery grave, igniting a bloodbath that ends in the ultimate showdown in strength of mind versus pure evil matter. Experience the legacy of unrelenti! ng terror that never dies!

Special Features: Killer Commentary by director John Carl Buechler and actors Lar Park Lincoln and Kane Hodder
Jason's Destroyer: The Making of Friday the 13th Part VII - The New Blood
Mind Over Matter: The Truth about Telekinesis
Slashed Scenes Intro
Slashed Scenes
Makeover by Maddy: Need a Little Touch-Up Work, My A**A philosophical quandary: when we truly get a glimpse behind the mask, do we like what we see? This eternal question is directly addressed in chapter 7 of the famed Friday the 13th gross-out series. Here, indestructible killing machine Jason meets his match in the form of a telekinetic teenage girl. Yes, it's "Carrie Goes Camping," although the young lady with special powers might have picked a better vacation spot than Crystal Lake, which has an awful track record for young blondes in tight jeans. This installment is exactly no better or worse than the previous Jason-o-rama! s, with the added bonus of a climax in which the imperturbable! Mr. Voo rhees actually duels someone with supernatural gifts to rival his own. Yes, he does lose his hockey mask (the heroine mind-wills it to pop off), and the results ain't pretty--but then, neither is the Friday the 13th franchise. --Robert HortonA philosophical quandary: when we truly get a glimpse behind the mask, do we like what we see? This eternal question is directly addressed in chapter 7 of the famed Friday the 13th gross-out series. Here, indestructible killing machine Jason meets his match in the form of a telekinetic teenage girl. Yes, it's "Carrie Goes Camping," although the young lady with special powers might have picked a better vacation spot than Crystal Lake, which has an awful track record for young blondes in tight jeans. This installment is exactly no better or worse than the previous Jason-o-ramas, with the added bonus of a climax in which the imperturbable Mr. Voorhees actually duels someone with supernatural gifts to rival his own. Yes,! he does lose his hockey mask (the heroine mind-wills it to pop off), and the results ain't pretty--but then, neither is the Friday the 13th franchise. --Robert HortonOriginal Scores from the Motion Pictures: Friday The 13th, Part VII & VIII by Fred Molin

This product is manufactured on demand using CD-R recordable media. Amazon.com's standard return policy will apply.

Friday the 13th Part VII: The New Blood Movie Mask Knife Poster Print - 24x36

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Away From Her : Widescreen Edition

• Widescreen

Married for almost 50 years, Grant's (Gordon Pinsent) and Fiona's (Julie Christie) commitment to each other appears unwavering. Their daily life is filled with tenderness and humor; yet this serenity is broken by Fiona's increasingly evident memory loss - and her restrained references to a past betrayal. For a while, the couple is able to casually dismiss these unwelcome changes. But when neither Fiona nor her husband can deny any longer that she is being consumed by Alzheimer's disease, the couple is forced to wrenchingly redefine the limits of their love and loyalty - and face the complex, inevitable transition from lovers to strangers."I'm going," says a lovely, understated Julie Christie, in a heart-wrenching moment of recognition that Alzheimer's is slowly descending on her. "But I'm not gone." Away from Her, the directorial debut of young Canadian actress Sarah Polle! y, allows two themes--the growth of love, and the limits of the mind--to intertwine, uplift, fall, and rise again, throughout its arc. What should be relentlessly depressing is instead a film of great courage, humor, defiance--and a quality that Christie's character, Fiona, calls out in another defining moment: grace.

Away from Her chronicles a love story between Fiona and her longtime husband, Grant, played with bearlike stolidity by Gordon Pinsett, as the couple struggle with the onset and acceleration of Fiona's Alzheimer's disease. Moments of lucidity and wry observation pepper Fiona's decline, and Christie gives an unforgettable performance as a woman who is both ordinary and singular to those whom she's touched. The story is set against a frigid Canadian winter, with fields of snow as a background underscoring the bleakness of Fiona's diagnosis; yet life is constant and surprising, in the call of a meadowlark or the resurrected memory of a skunk lily. A sc! ene of Fiona out for her daily cross-country ski shows Christi! e's gorg eous, sensual face in closeup against the snow, framed by a babushka, reminding the viewer of a similar scene of the decades-younger Christie in Dr. Zhivago. It's impossible not to be touched by the gifts of this extraordinary actress, through the life of this everywoman, whose very presence is shot through with grace. --A.T Hurleydvd

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