Tuesday, November 29, 2011

The Death of Mr. Lazarescu Poster Movie French 11x17 Doru Ana Monica Dean Alina Berzunteanu

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  • The Death of Mr. Lazarescu 11 x 17 Inches French Style A Mini Poster
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After mr. Lazarescu suffers terrible headaches he finally calls for an ambulance. Accompanied by medic mioara lazarescu begins his night-long journey through a variety of hospitals in search of proper medical care while a stressed society is laid bare and compassion and indifference clash. Studio: Genius Products Inc Release Date: 09/12/2006 Run time: 153 minutes Rating: RThe Death of Mr. Lazarescu is a sadly funny film that tells the story of an old man whom no one really knows or cares about. When he falls ill and needs medical ! treatment, he faces a team of busy doctors who are concerned because they have to be, not because they really care. Running just over 2-1/2 hours, this Romanian film allows the viewer to visualize how suffocatingly slow time must seem for Lazarescu (Ion Fiscuteanu), who isn't expecting the best treatment--just any treatment would be nice. With the exception of a conscientious paramedic, there doesn't seem to be much concern whether he lives or dies. TV viewers have been weaned on medical dramas such as ER, Chicago Hope, and House--all of which depict physicians who will go to all lengths to cure their patients. While noble and entertaining, these series probably offer less realism than The Death of Mr. Lazarescu, in which lack of funds and staff don't allow time for suitable bedside manner. No one is vilified, not even some of the hospital staff that is disgusted by the side effects of their patients' illnesses. The story is well told in a humane! and mesmerizing manner that yanks at the heartstrings while s! till eli citing a laugh or two. --Jae-Ha KimThis digital document is an article from Artforum International, published by Thomson Gale on April 1, 2006. The length of the article is 1719 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

Citation Details
Title: As he lay dying: James Quandt on the Death of Mr. Lazarescu.(Movie review)
Author: James Quandt
Publication: Artforum International (Magazine/Journal)
Date: April 1, 2006
Publisher: Thomson Gale
Volume: 44 Issue: 8 Page: 81(2)

Article Type: Movie review

Distributed by Thomson GaleThis digital document is an article from Film Criticism, published ! by Allegheny College on December 22, 2010. The length of the article is 6217 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available immediately after purchase. You can view it with any web browser.

Citation Details
Title: "Lazarescu, come forth!": Cristi Puiu and the Miracle of Romanian Cinema.(The Death of Mr. Lazarescu)(Critical essay)
Author: Jeanine Teodorescu
Publication: Film Criticism (Magazine/Journal)
Date: December 22, 2010
Publisher: Allegheny College
Volume: 34 Issue: 2-3 Page: 51(16)

Article Type: Critical essay

Distributed by Gale, a part of Cengage LearningThe Death of Mr. Lazarescu reproduction Approx. Size: 11 x 17 Inches - 28cm x 44cm French Style A mini poster print

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Christmas in the Clouds

  • A surprise visit by a major travel guide to the Native America run Sky Mountain Resort sparks mayhem and romance in this critically praised holiday feature. Shot on the stunning grounds of the acclaimed Sundance Institute, Christmas in the Clouds is a thoroughly enjoyable comedy and an instant holidayic.Starring: Tim Vahle (Walking Tall: Lone Justice), M. Emmet Walsh (Racing Stripes, Blood Simple)


Features include:

•MPAA Rating: PG
•Format: DVD
•Runtime: 94 minutes


Features include:

•MPAA Rating: PG
•Format: DVD
•Runtime: 96 minutes

Enemy At the Gates : Widescreen Edition

  • Widescreen
An all-star cast lights up the screen in this riveting epic hailed as "a vivid dramatization of one of history's titanic turning points". (Gene Shalit, Today) The year is 1942 and the Nazis are cutting a deadly swath through Russia. Under the leadership of Kruschev (Bob Hoskins), the citizens of Stalingrad are mounting a brave resistance, spurred by the exploits of their local hero, Vassili Zaitsev (Jude Law). An expert sniper, Vassili's deeds have become legendary - thanks to propaganda produced by Vassili's best friend, a political officer named Danilov (Joseph Fiennes). To stop Vassili, the Germans dispatch their best sniper, Major Konig (Ed Harris), to Stalingrad. When Vassili and Danilov both fall in love with a beautiful soldier (Rachel Weisz), Danilov deserts his friend, leaving Vassili to face his German counterpart alone. As the city burns, Vassili and Konig begin! a cunning game of cat and mouse, waging a private war for courage, honor and country.Like Saving Private Ryan, Enemy at the Gates opens with a pivotal event of World War II--the German invasion of Stalingrad--re-created in epic scale, as ill-trained Russian soldiers face German attack or punitive execution if they flee from the enemy's advance. Director Jean-Jacques Annaud captures this madness with urgent authenticity, creating a massive context for a more intimate battle waged amid the city's ruins. Embellished from its basis in fact, the story shifts to an intense cat-and-mouse game between a Russian shepherd raised to iconic fame and a German marksman whose skill is unmatched in its lethal precision. Vassily Zaitzev (Jude Law) has been sniping Nazis one bullet at a time, while the German Major Konig (Ed Harris) has been assigned to kill Vassily and spare Hitler from further embarrassment.

There's love in war as Vassily connects with a wo! man soldier (Rachel Weisz), but she is also loved by Danilov ! (Joseph Fiennes), the Soviet officer who promotes his friend Vassily as Russia's much-needed hero. This romantic rivalry lends marginal interest to the central plot, but it's not enough to make this a classic war film. Instead it's a taut, well-made suspense thriller isolated within an epic battle, and although Annaud and cowriter Alain Godard (drawing from William Craig's book and David L. Robbins's novel The War of the Rats) fail to connect the parallel plots with any lasting impact, the production is never less than impressive. Highly conventional but handled with intelligence and superior craftsmanship, this is warfare as strategic entertainment, without compromising warfare as a manmade hell on Earth. --Jeff Shannon


Genre: Action/Adventure
Rating: R
Release Date: 19-MAY-2009
Media Type: Blu-RayLike Saving Private Ryan, Enemy at the Gates opens with a pivotal event of World War II--the Ger! man invasion of Stalingrad--re-created in epic scale, as ill-trained Russian soldiers face German attack or punitive execution if they flee from the enemy's advance. Director Jean-Jacques Annaud captures this madness with urgent authenticity, creating a massive context for a more intimate battle waged amid the city's ruins. Embellished from its basis in fact, the story shifts to an intense cat-and-mouse game between a Russian shepherd raised to iconic fame and a German marksman whose skill is unmatched in its lethal precision. Vassily Zaitzev (Jude Law) has been sniping Nazis one bullet at a time, while the German Major Konig (Ed Harris) has been assigned to kill Vassily and spare Hitler from further embarrassment.

There's love in war as Vassily connects with a woman soldier (Rachel Weisz), but she is also loved by Danilov (Joseph Fiennes), the Soviet officer who promotes his friend Vassily as Russia's much-needed hero. This romantic rivalry lends marginal i! nterest to the central plot, but it's not enough to make this! a class ic war film. Instead it's a taut, well-made suspense thriller isolated within an epic battle, and although Annaud and cowriter Alain Godard (drawing from William Craig's book and David L. Robbins's novel The War of the Rats) fail to connect the parallel plots with any lasting impact, the production is never less than impressive. Highly conventional but handled with intelligence and superior craftsmanship, this is warfare as strategic entertainment, without compromising warfare as a manmade hell on Earth. --Jeff Shannon

Studio: Paramount Home Video Release Date: 08/02/2011 Rating: RDVD

Fun with Dick and Jane

  • ISBN13: 9780448434117
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Fun With Dick And Jane provides comic relief alongside a relevant look at today’s corporate scandals. In the film, Dick Harpers’ (Carrey) years of hard work finally pay off when he is promoted to vice president of Globodyne, a worldwide business leader. After exactly one day at his new job, Globodyne is destroyed, leaving him and his loving wife, Jane (Leoni) without financial security. This sudden reversal of fortune has left them both unprepared to give up their comfortable lifestyle and Dick comes up with the brilliant idea of turning to robbery to pay the bills. Utilizing newfound skills, Dick and Jane exact hilarious revenge while teaching big business a lesson.Remakes are always! a gamble, so it's a pleasant surprise that Fun with Dick and Jane pays off with unexpected dividends. It's as entertaining as the 1977 original starring George Segal and Jane Fonda, and the teaming of Jim Carrey and Téa Leoni makes this a safe bet for comedy fans, in spite of a slapstick screenplay that fails to achieve its fullest potential. Rather than attempt a darkly comedic send-up of the Enron scandal that left thousands of stockholders in financial ruin, director Dean Parisot (Galaxy Quest) opts for a lighter, more accessible (read: commercial) satire of corporate greed and cynicism, beginning in the year 2000 when Dick (Carrey) gets a plum promotion as a mega-corporate communications director just as his boss (Alec Baldwin) is preparing to bail out before stock prices plummet. Dick's wife Jane (Leoni) has quit her job as a travel agent, so the corporate bombshell leaves them penniless and desperate, resorting to petty thievery and, eventually, plotti! ng high-stakes revenge against the greedy executives who ruine! d their lives. As a send-up of financial distress in a ravaged post-Enron economy, Fun with Dick and Jane delivers laughs with just enough pointed humor to give it a strong satirical edge, and Carrey's reliable brand of zaniness is controlled enough to balance nicely with Leoni's more subtle (and woefully underrated) skills as a screen comedienne. And while the "special thanks" end-credits hint at the sharper, more biting satire this might have been, there’s enough fun with Dick and Jane to make this recycled comedy worth a look. --Jeff ShannonStudio: Sony Pictures Home Ent Release Date: 12/06/2005 Run time: 96 minutes Rating: PgJane Fonda was so respected as a serious actress that her comedy chops sometimes were overlooked. But it should be remembered that her first real hits (Barefoot in the Park, Cat Ballou) were comedies. This underrated 1977 outing also played for laughs, though it had social-satire underpinnings that still ring true. Fonda and ! George Segal play an upwardly mobile couple in the time before yuppies--think of them as protoyuppies. But their status-oriented existence suffers what could be a fatal blow when hubby is maneuvered out of his job. Broke and unemployed, they become armed robbers--and discover that crime can pay for them to live in the style to which they've become accustomed. Segal and Fonda have a breezy ease as confused suburbanites who bring the same neurotic thoroughness to crime that they do to their careers. But the script (whose authors include Jerry Belson and Mordechai Richler) never uses either the Robin Hood angle or any other angle that could sustain a sharp edge; as a result, the comedy winds up more cute than knowing. --Marshall Fine Parents will love revisiting a fond part of their childhoods when they share these classic Dick and Jane readers with their children. With charmingly innocent exploits and simple, repetitive declarations, these beloved characters helped ent! ire generations work, play, look, seeâ€"and learn! And now the! y’re a vailable for a whole new generation to enjoy.

“Look, Jane,” said Dick. “Here is something funny. Can you guess what it is?”

Crush

  • TESTED
Fresh off the most challenging case of her career, The 7th Victim heroine and renowned FBI profiler Karen Vail returns in an explosive thriller set against the backdrop of California’s wine country.

Hoping to find solace from the demons that haunt her, Vail makes her first trip to the Napa Valley. But shortly after arriving, a victim is found in the deepest reaches of an exclusive wine cave, the work of an extraordinarily unpredictable serial killer. From the outset, Vail is frustrated by her inability to profile the offenderâ€"until she realizes why: the Behavioral Analysis Unit has not previously encountered a killer like him.

As Vail and the task force work around the clock to identify and locate him, they’re caught in a web knotted with secretive organizations, a decades-long feud between prominent wine families, and widespread corruption that leads Vail to! wonder whom, if anyone, she can trust. Meanwhile, as the victim count rises, Vail can't shake the gnawing sense that something isn't right.

With the killer’s actions threatening the Napa Valley’s multi-billion dollar industry, the stakes have never been greater, and the race to find the killer never more urgent.

And through it all, a surprise lurks…one that Karen Vail never sees coming.

Meticulously researched during years of work with the FBI profiling unit and extensive interviews with wine industry professionals, bestselling author Alan Jacobson delivers a high-velocity thriller featuring the kind of edge-of-your-seat ending that inspired Nelson DeMille to call him "a hell of a writer."

This funny and touching story centers on Kate a forty-year-old respectable and successful headmistress in a small English village who gets together with her single friends Molly a doctor and Janie a local police detective every Monday to drink eat chocolate and decid! e who is the Saddest of the Week. Things start to turn displea! sing bet ween the three friends when Kate begins an affair with Jed a sexy 25-year old ex-pupil and is no longer the Saddest of the Week!System Requirements: Running Time 122 MinFormat: DVD MOVIE Genre: MYSTERY/SUSPENSE Rating: R UPC: 043396079021 Manufacturer No: 07902At first Crush seems to be merely the latest film to portray a clique of boozy, trash-talking women as part of a larger, liberated sisterhood worthy of celebration if not admiration. The lighthearted comedy abruptly detours, however, to expose vicious jealousies with brutal, unexpected consequences. A trio of single women in their 40s, Kate, Janine, and Molly (Andie MacDowell, Imelda Stanton, and Anna Chancellor) engage in a weekly ritual of gin, cigarettes, and joyous male sniping that despite its occasional glimpses of bare insecurity is all good "girl" fun. But when Kate, headmistress at the local school, takes up with a former student (Kenny Doughty) nearly 20 years younger and falls wildly in love, her ! closest friends, rather than embrace a true departure from social mores, plan instead to sabotage Kate's happiness and bring her to her senses. In one of the most inexplicable twists you're likely to see in a comedy, Janine and Molly's ploy takes an unexpectedly lethal turn, and Crush goes from amusing, if predictable, to downright nasty, and then back to end on a happy note. The effect is provocative, though perhaps unintended. --Fionn Meade A precocious and obsessive teenager develops a crush on a naive writer with harrowing consequences. Alicia Silverstone and Cary Elwes star in "a top-notch thriller.
Richard Siken’s Crush, selected as the 2004 winner of the Yale Younger Poets prize, is a powerful collection of poems driven by obsession. Siken writes with ferocity, and his reader hurtles unstoppably with him. His poetry is confessional, gay, savage, and charged with violent eroticism.

In her introduction to the book, competition jud! ge Louise Glück hails the “cumulative, driving, apocalyptic! power, [and] purgatorial recklessness” of Siken’s poems. She notes, “Books of this kind dream big. . . . They restore to poetry that sense of crucial moment and crucial utterance which may indeed be the great genius of the form.”
Australian pressing includes two bonus tracks on the first CD, 'I Could Make A Living Out Of Lovin' You' & 'Neurotica' in addition to the Japanese bonus disc recorded live in Osaka, featuring 6 tracks, 'Runaway', 'Mystery Train', 'Rockin' In The Free World', 'Just Older', 'It's My Life' & 'Someday I'll Be Saturday Night'. 20 tracks in all. 2000 release. Slimline double jewel case.The growling, choppy guitar sample that opens the first track here, "It's My Life," is a virtual declaration of intent for the first Bon Jovi album in five years, a statement that they're updating the sound without abandoning the traditional virtues that made them one of the biggest bands on the planet. So make way for a hi-tech parade of smooth-but-gutsy ro! ck anthems, almost any one of which will gladden the heart of every AOR radio programmer in the land. Unless the world has changed irredeemably, cuts like the midpaced heartbreak chugger "Say It Isn't So" are destined to become Bon Jovi standards, while an outbreak of scarf-waving and lighter-flicking is certain to accompany any live performance of the big weepie, "Thank You For Loving Me." Arguably, everything on Crush is done by the numbers, but with consummate pros like Jon Bon Jovi and Richie Sambora at the helm, these are the kind of numbers you have to take seriously, because by the second time they kick into the chorus of any song it's damn near impossible not to sing along. --Johnny Black

Your Love Never Fails

  • Features include: -MPAA Rating: G -Format: DVD-Runtime: 96 minutes
Born and raised on an Australian sheep ranch, Tommy (Luke Arnold) dreams of becoming a great musician. Everything changes, though, when his antics to impress his beautiful classmate Kat (Alexa Vega) backfire and land them both in trouble. But after auditioning for an elite music academy, Tommy is given the second chance he needs to win Kat’s affection, his father’s approval and the opportunity of a lifetime.

Bonus Feature:
Audio commentary with Writer / Director Dagen Merrill, Producer Chris Wyatt and Alexa Vega.A handsome high-school senior aspires to become a classical composer in this tuneful drama. Tommy (Luke Arnold, who recalls Venezuelan conductor Gustavo Dudamel) lives on an Australian sheep ranch with his widowed father, George (Timothy Hutton), a stern soccer coach, and nurses a crush on exchange student Kat! (Alexa Vega, Spy Kids), who barely knows he exists. One night, Tommy and George come across escaped convict Kalae (Che Timmons) on their drive home. They turn the unconscious man over to the police, and get on with their lives. Later, when Kat finds out that Tommy has access to a truck, she convinces him to chauffeur her around during a night of vandalism, which lands him in jail, where he reconnects with Kalae, who tells him about a prison choir. Upon Tommy's release, he convinces Kat to help him form a convict band in order to fulfill their community service requirement and to facilitate his entrance into Sydney's prestigious Music Conservatorium. At first, the inexperienced duo attract only two participants, but other inmates eventually materialize, and as their repertoire takes shape, Kat's hard shell softens. Unfortunately, Tommy has to cancel their performance at Broken Hill when a prisoner goes missing, but Kat and the other players convince him to try again.! The conclusion feels more like wish fulfillment than a realis! tic outc ome, but director Dagen Merrill does depict Tommy's daydreams at times, so it seems rather fitting. Extra features include commentary from Merrill, producer Chris Wyatt, and a sleepy Vega. --Kathleen C. FennessySet in 1897, a man and his nephew are trying to deliver a herd of horses when they become the reluctant guardians of five abandoned Chinese girls.
Genre: Television
Rating: NR
Release Date: 30-JAN-2007
Media Type: DVDThe lives of two stoic cowboys and five abused Chinese women become intertwined in Walter Hill's sprawling miniseries Broken Trail. Print Ritter (Academy Award winner Robert Duvall) and his nephew Tom Harte (Thomas Haden Church, Sideways) agree to deliver a herd of 500 horses from Oregon to Wyoming. Along the way, they rescue the young women--most of them still just girls--who're being transported to a brothel to have their virginity auctioned off. When the madam sees she is about to lose the gi! rls, she screams at Tom, "What about my property?" He shouts back, "That's the price of being a capitalist, lady." Unable to overcome the language barrier, Print assigns numbers to the girls. Number 3, Sun Foy (Gwendoline Yeo, Desperate Housewives) is the most fearless and perceptive of them. Though the others don't want to be called Number 4--an unlucky numeral in their homeland--Ye Fung (Olivia Cheng), the most tragic of the group, doesn't care. Targeted for her beauty, she finds herself unable to overcome the trauma. The number suits her, in her mind. Along the way, Print and Tom rescue Nola Johns (Greta Scacchi), the proverbial hooker with the heat of gold, who was forced into prostitution after her husband died.

The cinematography is gorgeous as the camera sweeps over the lush landscape (the Canadian Rockies subbing in for wild West of the late 1800s) and Hill does a formidable job of pacing this 3-hour drama with just the right balance of dialogue and actio! n. For Duvall, Broken Trail is the last piece to his We! stern tr ilogy, which started with the miniseries Lonesome Dove followed by the feature film Open Range. He is instantly likeable as a father figure and the viewer never doubts that his intention for the girls is honorable. As for Haden Church, he has never been as appealing as he is in this role. Gruff and flawed, he softens when he exchanges shy glances with Sun Foy. The trek is long and hard and the unlikely band of travelers will face much hardship. If not as satisfying as the rich, detailed Lonesome Dove, Broken Trail makes up for it with a wonderful storyline and some fine acting by all involved. As for the conclusion, it may surprise some viewers who are expecting a more traditional version of the happy ending. --Jae-Ha KimStudio: Sony Pictures Home Ent Release Date: 09/30/2008 Run time: 184 minutesThe lives of two stoic cowboys and five abused Chinese women become intertwined in Walter Hill's sprawling miniseries Broken Trail. Print! Ritter (Academy Award winner Robert Duvall) and his nephew Tom Harte (Thomas Haden Church, Sideways) agree to deliver a herd of 500 horses from Oregon to Wyoming. Along the way, they rescue the young women--most of them still just girls--who're being transported to a brothel to have their virginity auctioned off. When the madam sees she is about to lose the girls, she screams at Tom, "What about my property?" He shouts back, "That's the price of being a capitalist, lady." Unable to overcome the language barrier, Print assigns numbers to the girls. Number 3, Sun Foy (Gwendoline Yeo, Desperate Housewives) is the most fearless and perceptive of them. Though the others don't want to be called Number 4--an unlucky numeral in their homeland--Ye Fung (Olivia Cheng), the most tragic of the group, doesn't care. Targeted for her beauty, she finds herself unable to overcome the trauma. The number suits her, in her mind. Along the way, Print and Tom rescue Nola Johns (Gr! eta Scacchi), the proverbial hooker with the heat of gold, who! was for ced into prostitution after her husband died.

The cinematography is gorgeous as the camera sweeps over the lush landscape (the Canadian Rockies subbing in for wild West of the late 1800s) and Hill does a formidable job of pacing this 3-hour drama with just the right balance of dialogue and action. For Duvall, Broken Trail is the last piece to his Western trilogy, which started with the miniseries Lonesome Dove followed by the feature film Open Range. He is instantly likeable as a father figure and the viewer never doubts that his intention for the girls is honorable. As for Haden Church, he has never been as appealing as he is in this role. Gruff and flawed, he softens when he exchanges shy glances with Sun Foy. The trek is long and hard and the unlikely band of travelers will face much hardship. If not as satisfying as the rich, detailed Lonesome Dove, Broken Trail makes up for it with a wonderful storyline and some fine acting by all ! involved. As for the conclusion, it may surprise some viewers who are expecting a more traditional version of the happy ending. --Jae-Ha KimTop-rated miniseries! Set in 1897, Print Ritter and his estranged nephew Tom Harte become the reluctant guardians of five abused and abandoned Chinese girls. Ritter and Harte's attempts to care for the girls are complicated by their responsibility to deliver a herd of horses while avoiding a group of bitter rivals intent on kidnapping the girls for their own purposes.The lives of two stoic cowboys and five abused Chinese women become intertwined in Walter Hill's sprawling miniseries Broken Trail. Print Ritter (Academy Award winner Robert Duvall) and his nephew Tom Harte (Thomas Haden Church, Sideways) agree to deliver a herd of 500 horses from Oregon to Wyoming. Along the way, they rescue the young women--most of them still just girls--who're being transported to a brothel to have their virginity auctioned off. When! the madam sees she is about to lose the girls, she screams at! Tom, "W hat about my property?" He shouts back, "That's the price of being a capitalist, lady." Unable to overcome the language barrier, Print assigns numbers to the girls. Number 3, Sun Foy (Gwendoline Yeo, Desperate Housewives) is the most fearless and perceptive of them. Though the others don't want to be called Number 4--an unlucky numeral in their homeland--Ye Fung (Olivia Cheng), the most tragic of the group, doesn't care. Targeted for her beauty, she finds herself unable to overcome the trauma. The number suits her, in her mind. Along the way, Print and Tom rescue Nola Johns (Greta Scacchi), the proverbial hooker with the heat of gold, who was forced into prostitution after her husband died.

The cinematography is gorgeous as the camera sweeps over the lush landscape (the Canadian Rockies subbing in for wild West of the late 1800s) and Hill does a formidable job of pacing this 3-hour drama with just the right balance of dialogue and action. For Duvall, Broken Tra! il is the last piece to his Western trilogy, which started with the miniseries Lonesome Dove followed by the feature film Open Range. He is instantly likeable as a father figure and the viewer never doubts that his intention for the girls is honorable. As for Haden Church, he has never been as appealing as he is in this role. Gruff and flawed, he softens when he exchanges shy glances with Sun Foy. The trek is long and hard and the unlikely band of travelers will face much hardship. If not as satisfying as the rich, detailed Lonesome Dove, Broken Trail makes up for it with a wonderful storyline and some fine acting by all involved. As for the conclusion, it may surprise some viewers who are expecting a more traditional version of the happy ending. --Jae-Ha KimYour Love Never Fails is the story of Laura (Elisa Donovan), a working mother who just wants to spend more time with her daughter Kelsey, 9. Unfortunately, her demanding bos! s Paul (Fred Willard) has other ideas. When Kelsey's father, D! ylan (Br ad Rowe) files for joint custody, Laura is forced to take Kelsey to Texas, where she confronts the lifestyle, church and father (Tom Skerritt) that she left behind. With the help of the local church Pastor, Frank (John Schneider), Laura and Dylan will find their way back to the commitment they made to each other and to Kelsey.

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