Hurlyburly : Widescreen Edition

• Widescreen

Full Length, Drama

Characters: 4 male, 3 female

Interior Set

This riveting drama took New York by storm in a production directed by Mike Nichols and starring William Hurt, Sigourney Weaver, Judith Ivey, Christopher Walken, Harvey Keitel, Cynthia Nixon and Jerry Stiller. Characters nose deep in the decadent, perverted, cocaine culture that is Hollywood, pursing a sex crazed, drug-addled vision of the American Dream. Later stage and screen incarnations have attracted such actors as Ethan Hawke, Meg Ryan, Sean Penn, and Kevin Spacey.

"Offers some of Mr. Rabe's most inventive and disturbing writing. At his impressive best, Mr. Rabe makes grim, ribald and surprisingly compassionate comedy out of the lies and ationalizations that allow his alienated men to keep functioning if not feeling in the fogs of Lotusland. They work in an industry so corrupt that it! s only honest executives are those who openly admit that they lie."-The New York Times

"An important work, masterfully accomplished."-Time

"A powerful permanent contribution to American drama...Riveting, disturbing, fearsomely funny...Has a savage sincerity and a crackling theatrical vitality. This deeply felt play deserves as wide an audience as possible."-Newsweek

At the very juncture where hollywood meets the mountains where the almost-rich and not-yet-famous live on cheap thrills and heady ambition while searching for true love and redemption eddie and his three best friends engage in a wild life of witty repartee and snappy come-backs of ex-wives and future lovers. Studio: Warner Home Video Release Date: 05/10/2005 Starring: Sean Penn Meg Ryan Run time: 126 minutes Rating: R Director: Anthony DrazanYou wouldn't want to spend much time with the folks from David Rabe's play Hurlyburly. A sensation when it played on st! age (with marquee names Harvey Keitel and William Hurt), Rabe'! s tale o f the cocaine-influenced days of Hollywood in the 1980s is a bitter rambling of what humans do with too much drive, power, and money. Robin Williams's joke about cocaine being God's way of telling you have too much money certainly comes into play here. A few days in the life of casting agent Eddie (Sean Penn) and his friends (separated by a year) take place in Eddie's posh L.A. bungalow. Here he and his roomie Mickey (Kevin Spacey) talk nonstop about sex and power, syntax and meaning. Into this wash comes a charitable bigwig (Gary Shandling), a street kid (Anna Paquin), and Eddie's rudderless friend, the violent Phil (Chazz Palminteri). If there is a central story to be found, it's Eddie's drive to fall in love with Darlene (Robin Wright Penn), who finds this world exciting--or at least intoxicating.

This is not the bunch to invite over to your house, and many might even want to skip the two-hour film with its talky, pathetic prose. These characters would probably be d! espicable even if they weren't addicted to some narcotic. And the talk is endless; conversations that finish with a door slam are taken up moments later on the cell phone (a nice updating touch by Rabe). What draws big-name actors to Rabe's work is the chance to work on one's raw acting talent. Penn and Palminteri fit their roles like gloves, and Spacey again proves he is one of the most watchable actors around. Every nuance, bad pun, and irrelevant slip of Spacey's wicked tongue has a brutal kind of poetry here in a film that can be admired but not loved. --Doug ThomasLimbic Hurly-Burly: Poems of Humor and Paradox has but one goal: to entertain. Follow its wily trail of meter, rhyme, and clarity to find a sumptuous treasure of humor. Embark now on a series of offbeat adventures to exotic places such as the Galápagos and South Africa, and the imaginary worlds of Flatland and 1930s flicks. See how history’s Alexander and Empress Livia succeeded (sort of) in solving! their problems, and Paracelsus and Rasputin were murdered. An! d discov er twists in the tales of Pinocchio, Hansel and Gretel, Schrödinger’s dog, and Hero and Leander. You’ll see what goes through a rat’s mind after it runs the maze, and peek at God’s experiment on monkeys. Enjoy a different view of crop circles, and you might even be tempted to check into the infamous Hotel Infinity. Soon you’ll begin to wonder what robots dream of?You wouldn't want to spend much time with the folks from David Rabe's play Hurlyburly. A sensation when it played on stage (with marquee names Harvey Keitel and William Hurt), Rabe's tale of the cocaine-influenced days of Hollywood in the 1980s is a bitter rambling of what humans do with too much drive, power, and money. Robin Williams's joke about cocaine being God's way of telling you have too much money certainly comes into play here. A few days in the life of casting agent Eddie (Sean Penn) and his friends (separated by a year) take place in Eddie's posh L.A. bungalow. Here he and his roomie Mickey (K! evin Spacey) talk nonstop about sex and power, syntax and meaning. Into this wash comes a charitable bigwig (Gary Shandling), a street kid (Anna Paquin), and Eddie's rudderless friend, the violent Phil (Chazz Palminteri). If there is a central story to be found, it's Eddie's drive to fall in love with Darlene (Robin Wright Penn), who finds this world exciting--or at least intoxicating.

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BagHead

• EACH COPY IS SIGNED AND DATED by Author/Illustrator
• Independently Published
• For ages 3-8

From the author of Good Night, Monkey Boy, the hilarious tale of a haircut gone awry!
One day Josh had a big, brown bag idea: to wear a paper bag over his head. He thought it was a good idea. His mother did not. Neither did his bus driver, his teacher, or his soccer coach. What could Josh possibly be hiding?
A surprise ending will keep kids gigglingâ€"and from taking haircuts into their own hands!


From the Hardcover edition.While the Duplass Brothers were shooting their last feature film The Puffy Chair, a crew member raised the question "what's the scariest thing you can think of?" Someone immediately said "a guy with a bag on his head staring into your window." Some agreed, but some thought it was downright ridiculous and, if anything, funny (but definitely! not scary). Thus, BAGHEAD was born, an attempt to take the absurdly low-concept idea of a "guy with a bag on his head" and make a funny, truthful, endearing film that, maybe, just maybe, was a little bit scary, too.

In their indie sensation The Puffy Chair, writer/directors Mark and Jay Duplass used the retrieval of a piece of furniture to explore the relationship between a close-knit trio. Their studio follow-up represents something both fresh and familiar. Not to be confused with the children's book of the same name, Baghead retains their emphasis on character over plot mechanics, but this time they infuse their humorous approach with horror overtones. Matt (Ross Partridge), Chad (Steve Zissis), Catherine (Elise Muller), and Michelle (Greta Gerwig, who appears with Mark Duplass in Hannah Takes the Stairs) work as extras in Los Angeles. Matt convinces them to accompany him to his family cabin to write a script in which they all get to star. As! they collaborate, it becomes apparent that Chad has eyes for ! Michelle and that Matt and Catherine have been an on-and-off thing for years. The screenplay becomes an excuse to organize their personal and professional lives, until Michelle spots a man with a brown paper bag on his head skulking in the woods. Is he a manifestation of the emotions roiling between the quartet, a psychotic killer, or a friend playing a cruel trick? Baghead turns into a frisky take on The Blair Witch Project, except the Duplass Brothers have more than thrills in mind, since it takes a spooky dude to remind these self-absorbed actors about the importance of friendship. The concept may be slight and the execution rudimentary, but the makers of Baghead have devised an unexpectedly poignant romp. --Kathleen C. Fennessy

Amazon.com
What does one make of a movie whose plot revolves around second-rate actors who scare each other by wearing bags on their heads? This conundrum and more are exploited to strong effect by young! directing team Mark and Jay Duplass, in their low-budget, grade Z cult comedy, Baghead. This follow up to their debut effort, The Puffy Chair, stars two couples who head to their parents’ cabin in an attempt to make their own horror film free from the constraints of the film industry. Brothers, Matt (Ross Partridge) and Chad (Steve Zissis), host bimbos Michelle (Greta Gerwig) and Catherine (Elise Muller) on a weekend adventure that is less than intellectually stimulating. As sexual tensions increase, brown paper bags are busted out and the characters seek revenge upon each other by pretending to be masked peeping toms. This meta-narrative of a movie about the making of the movie is further confused when the bunch suspects that there is an extra baghead on the scene, a really psychotic one. A few actually scary moments add gusto to this film that mostly feels like a po’ man’s rendition of Blair Witch Project, with its hand-held camera stylings. Hi! ghlights throughout involve Chad, the nerdier, uglier brother ! who mana ges many funny lines and boosts the humor bigtime. That Baghead is a fairly terrible film, with slow, moronic dialogue and long scenes in which little or nothing happens, may well be intentional. It’s impossible to judge. Baghead is so ripe with irony that it bags the idea that it’s cool to strive towards making a fine film, and the story gives up on trying to be good before it even tries. The characters start washed-up and stay washed-up, as does the movie. But this strange resignation that makes Baghead awful is also what makes it conceptually unique; the Duplass brothers did, after all, complete the film and release it. One wonders why directors bother making a movie that presumes itself worthy of wearing a baghead? This is Baghead’s virtueâ€"it left me feeling as if I had a bag over my head, dumb for missing some bit of subversive genius. --Trinie Dalton

---

Filmmakers Mark and Jay Duplass have written a celebrity blog for us to promote their new film, Baghead.

Why the hell are we trying to make a horror film about a guy with a paper bag on his head? This, even more than “to be or not to be” was the question for myself and my brother Jay going into shooting Baghead. We had just come off of our first micro-budget feature The Puffy Chair, a sensitive, funny, quirky relationship movie that wowed Sundance, sold big, played incredibly well in theaters, DVD, and TV, and gained us favor in the indie world the world over. So, again, why would we be so stupid as to make a horror movie based around a guy with a bag on his head?

I’m still not quite sure. When I look back, what we should have done is cle! ar… we should have made another relationship movie to cash i! n on Puffy’s success. But, we were compelled to make Baghead, so we did it. And then something really interesting happened. We discovered that we are hopelessly and helplessly ourselves on set. For example, even if something terrifying was happening in the horror plot, we couldn’t help training the camera on all of the little personal dynamics happening among the 4 lead characters, just like we did on The Puffy Chair. No matter how eerie or cool-looking our lighting got, we were infinitely more obsessed with the chubby guy whose advances were being rejected by the hottie girl.

About a week into filming, we realized we had something VERY different on our hands. We had a horror movie shell… “guy with bag on head comes to get 4 people in a cabin in the woods.” We all know this set-up, right? Not too original. But, we were making a highly sensitive relationship dramedy inside of this horror film because, in the end, that’s what Jay and ! I know how to do best and that’s what we love showing.

So, basically, we started panicking. How do you make a movie work that’s scary, funny, and (ultimately) endearing and touching as we understand the nature of our desperate, sweet, tragically flawed lead characters? The answer was… I hope we don’t @&*# it up.

On week 2, we happened to catch a glimpse of the film Saw on TV, and it became clearer to us how Baghead could be a really interesting film for this time frame in cinema. Saw is great in its own right, but it’s mean, it’s gory, and it’s not really scary. Somehow, the crazy sound design, gore, and effects, took the film further and further away from being actually scary. Whereas, with Baghead, we somehow stumbled into something genuinely frightening, with our $50,000 budget, no sound f/x, no score, no make-up… just a ridiculous paper bag and the question of “who the hell is under that bag?â! € So, we started to feel smart. Confident. Inspired in new wa! ys. We e ven waxed philosophical about how brilliant we were to “come up with his concept” (that we totally lucked into, btw)…

On week 3, we finished the shoot and all looked at each other a little shell shocked. What did we just do? Is this movie even gonna work? Cut to a year later. We’re opening the film at the Sundance Film Festival and every buyer is calling us, making insanely inflated offers, asking us how we came up with such a brilliant, genre-smashing concept.

I guess it kinda comes down to the old adage our dad used to tell us… “I’d rather be lucky than good.”

--Mark & Jay Duplass

As heroin addict Shaun Cook lies comatose in hospital following a suicide attempt, his family come to terms with his life and their part in his downfall.
At turns funny and heart-breaking, Karen Woods' fourth novel sees her return to familiar territory to craft an indictment of modern society that will make you laugh and cry.As ! heroin addict Shaun Cook lies comatose in hospital following a suicide attempt, his family come to terms with his life and their part in his downfall.
At turns funny and heart-breaking, Karen Woods' fourth novel sees her return to familiar territory to craft an indictment of modern society that will make you laugh and cry.Studio: Magnolia Pict Hm Ent Release Date: 10/08/2009 Run time: 84 minutes Rating: RA little boy learns that wearing a bag on his head when he gets nervous doesn't solve the problem.

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Evan Almighty (Full Screen Edition)

• Condition: New
• Format: DVD
• AC-3; Color; Dolby; Dubbed; DVD; Full Screen; Subtitled; NTSC

Evan Almighty is a comedy for all ages that "you don't want to miss" (Kim Griffis, NBC-TV)!

Everyone's favorite funnyman Steve Carell is at his hilarious best as junior congressman Evan Baxter, whose wish to "change the world" is heard by none other than God (Academy Award winner Morgan Freeman). When God appears with the perplexing request to build an ark, Evan is sure he is losing it. But soon mysterious deliveries of wood and tools are being dropped on his doorstep, animals of every shape and size are flocking to him two by two, and his self-absorbed life goes from overnight success to almighty mess! It's a great time for everyone!

Steve Carell rides the wave of 40-Year-Old Virgin stardom (and a biblical flood) in this bizarre, effects-heavy comedy about a modern-day No! ah's ark. The film is nominally a sequel to Bruce Almighty, although it bears little relation to the 2003 Jim Carrey hit--except for the divine intervention of Morgan Freeman, who returns in his role as God. Even Carell's character is much altered from his supporting part in the first film; here, Evan Baxter says goodbye to the news-anchoring business in favor of his job as a naive freshman congressman. When God orders him to build an ark and prepare for an impending inundation, Evan sheepishly takes on the task (it's hard to turn down the job when your hair and beard grow to Old Testament lengths and God wants you to walk around in sackcloth).

Carell gets to do silly dances and mix it up with a variety of animals (real and computer-generated), all of which reminds us of the film's family-friendly tone and the PG rating. The kid stuff works just fine, although the religio-environmental message-mongering makes this a most curious kind of Hollywood blockbuster.! When the flood comes, the film shifts into a mammoth-sized CG! I extrav aganza, recalling the era of overstuffed techno-comedies such as 1941 and Howard the Duck (and not to be nit-picky, but the tsunami-like disaster that overtakes Washington, D.C., looks as though it would snuff out the lives of quite a few citizens). Capable comic support comes from John Michael Higgins, Wanda Sykes, and Jonah Hill, with John Goodman and Lauren Graham filling out stock roles of fatcat politico and loyal wife, respectively. Carell is even better at being sincere than being funny, a talent that comes in handy here and bodes well for his future versatility. --Robert Horton

Evan Almighty is a comedy for all ages that "you don't want to miss" (Kim Griffis, NBC-TV)!

Everyone's favorite funnyman Steve Carell is at his hilarious best as junior congressman Evan Baxter, whose wish to "change the world" is heard by none other than God (Academy Award winner Morgan Freeman). When God appears with the perplexing request to build an ark, Evan ! is sure he is losing it. But soon mysterious deliveries of wood and tools are being dropped on his doorstep, animals of every shape and size are flocking to him two by two, and his self-absorbed life goes from overnight success to almighty mess! It's a great time for everyone!

Steve Carell rides the wave of 40-Year-Old Virgin stardom (and a biblical flood) in this bizarre, effects-heavy comedy about a modern-day Noah's ark. The film is nominally a sequel to Bruce Almighty, although it bears little relation to the 2003 Jim Carrey hit--except for the divine intervention of Morgan Freeman, who returns in his role as God. Even Carell's character is much altered from his supporting part in the first film; here, Evan Baxter says goodbye to the news-anchoring business in favor of his job as a naive freshman congressman. When God orders him to build an ark and prepare for an impending inundation, Evan sheepishly takes on the task (it's hard to turn down the job whe! n your hair and beard grow to Old Testament lengths and God wa! nts you to walk around in sackcloth).

Carell gets to do silly dances and mix it up with a variety of animals (real and computer-generated), all of which reminds us of the film's family-friendly tone and the PG rating. The kid stuff works just fine, although the religio-environmental message-mongering makes this a most curious kind of Hollywood blockbuster. When the flood comes, the film shifts into a mammoth-sized CGI extravaganza, recalling the era of overstuffed techno-comedies such as 1941 and Howard the Duck (and not to be nit-picky, but the tsunami-like disaster that overtakes Washington, D.C., looks as though it would snuff out the lives of quite a few citizens). Capable comic support comes from John Michael Higgins, Wanda Sykes, and Jonah Hill, with John Goodman and Lauren Graham filling out stock roles of fatcat politico and loyal wife, respectively. Carell is even better at being sincere than being funny, a talent that comes in handy here and bodes wel! l for his future versatility. --Robert Horton

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Across the Universe (Two-Disc Special Edition)

• Condition: Used, Very Good
• Format: DVD
• Anamorphic; NTSC

Across the Universe, from director Julie Taymor, is a revolutionary rock musical that re-imagines America in the turbulent late-1960s, a time when battle lines were being drawn at home and abroad. When young dockworker Jude (Jim Sturgess) leaves Liverpool to find his estranged father in America, he is swept up by the waves of change that are re-shaping the nation. Jude falls in love with Lucy (Evan Rachel Wood), a rich but sheltered American girl who joins the growing anti-war movement in New York's Greenwich Village. As the body count in Vietnam rises, political tensions at home spiral out of control and the star-crossed lovers find themselves in a psychedelic world gone mad. With a cameo by Bono, Across the Universe is "the kind of movie you watch again, like listening to a favorite album." (Roger Ebert! , Chicago Sun-Times)Set in America during the Vietnam War, Across the Universe is a powerful love story set against a backdrop of political and social unrest: it's a story of soul-searching, self-doubt, and individual powerlessness cleverly conveyed through a multitude of Beatles songs. Like young adults all across America during the 1960's, Jude (Jim Sturgess), Lucy (Evan Rachel Wood), Max (Joe Anderson), Sadie (Dana Fuchs), Prudence (T.V. Carpio), and JoJo (Martin Luther) are in turmoil over the war; questioning their individual roles in the war effort and struggling to find a way to hold true to their beliefs while making a difference in the world. While love proves a powerful uniting force, its limitations become clear as relationships are strained and broken over individual perceptions of responsibility to cause and country. A fairly bizarre juxtaposition of extremely stylized, almost hallucinogenic scenes of swirling colors and reflections, highly! choreographed dance segments, seemingly commonplace character! interac tion, and emotionally packed close-up footage of characters lost in contemplative song, this film imparts a good sense of the confusion and passion of the time and is at once powerful, invigorating, and disturbing. The film runs a bit long at 2-hours 11-minutes and several segments drag noticeably thanks to some incredibly slow song tempos. Warning: this production may change how you think about a favorite Beatles song forever. --Tami HoriuchiAmy has left the life she loves for a world 300 years away Trapped in space and frozen in time, Amy is bound for a new planet. But fifty years before she's due to arrive, she is violently woken, the victim of an attempted murder. Now Amy's lost on board and nothing makes sense - she's never felt so alone. Yet someone is waiting for her. He wants to protect her; and more if she'll let him. But who can she trust amidst the secrets and lies? A killer is out there - and Amy has nowhere to hide...Amazon Best Books of the Mo! nth, January 2011: As the spaceship Godspeed travels toward a new earth, the lives of 100 cryogenically frozen settlers hang in the balance after someone endeavors to quietly murder them. The other passengers aboard the ship have never known life outside its walls and are enslaved by the machinations of Eldest, their tyrannical leader, who divides them into three distinct classes. When Amy, a frozen settler from earth, survives being thawed in a murder attempt, she immediately bonds with Elder, Godspeed's lone teen and future leader. Amy’s individuality, her rebellion, and her fierce desire for freedom, inspire Elder to act on his own doubts and defy Eldest--his mentor and keeper--with shocking results. Eldest’s methods of twisting history and altering the lives of this captive community are a frightening echo of tyrants in our own history, and Across the Universe challenges readers to consider the impact of unchecked power, blind trust, and the abil! ity of one dissenting voice to make a difference.-- Seira ! Wilson

Preview the Spacecraft in Across the Universe
(Click on Images to Enlarge)

In Across the Universe, Godspeed is a vast spaceship, the size of a small county. The lives of its passengers are severely regulated. And people are divided into three categories--Feeders, Shippers, and Keepers--represented by the three levels of the ship.

Across the Universe, from director Julie Taymor, is a revolutionary rock musical that re-imagines America in the turbulent late-1960s, a time when battle lines were being drawn at home and abroad! . When young dockworker Jude (Jim Sturgess) leaves Liverpool to find his estranged father in America, he is swept up by the waves of change that are re-shaping the nation. Jude falls in love with Lucy (Evan Rachel Wood), a rich but sheltered American girl who joins the growing anti-war movement in New York's Greenwich Village. As the body count in Vietnam rises, political tensions at home spiral out of control and the star-crossed lovers find themselves in a psychedelic world gone mad. With a cameo by Bono, Across the Universe is "the kind of movie you watch again, like listening to a favorite album." (Roger Ebert, Chicago Sun-Times)Set in America during the Vietnam War, Across the Universe is a powerful love story set against a backdrop of political and social unrest: it's a story of soul-searching, self-doubt, and individual powerlessness cleverly conveyed through a multitude of Beatles songs. Like young adults all across America during the 1960's, Ju! de (Jim Sturgess), Lucy (Evan Rachel Wood), Max (Joe Anderson)! , Sadie (Dana Fuchs), Prudence (T.V. Carpio), and JoJo (Martin Luther) are in turmoil over the war; questioning their individual roles in the war effort and struggling to find a way to hold true to their beliefs while making a difference in the world. While love proves a powerful uniting force, its limitations become clear as relationships are strained and broken over individual perceptions of responsibility to cause and country. A fairly bizarre juxtaposition of extremely stylized, almost hallucinogenic scenes of swirling colors and reflections, highly choreographed dance segments, seemingly commonplace character interaction, and emotionally packed close-up footage of characters lost in contemplative song, this film imparts a good sense of the confusion and passion of the time and is at once powerful, invigorating, and disturbing. The film runs a bit long at 2-hours 11-minutes and several segments drag noticeably thanks to some incredibly slow song tempos. Warning: this production ! may change how you think about a favorite Beatles song forever. --Tami Horiuchi

Beyond Across the Universe

On Blu-ray

The Deluxe Soundtrack

Beatles audio CD

Stills from Across the Universe (click for larger image)

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Facing the Giants

• Condition: New
• Format: DVD
• AC-3; Closed-captioned; Color; Dolby; Dubbed; DVD; Subtitled; Widescreen; NTSC

Four men, one calling: To serve and protect. As law enforcement officers, they are confident and focused, standing up to the worst the streets can offer. Yet at the end of the day, they face a challenge they’re ill prepared to tackle: fatherhood. When tragedy strikes home, these men are left wrestling with their hopes, their fears, their faith, and their fathering. Sherwood Pictures, creators of Fireproof, returns with this heartfelt, action-packed story. Protecting the streets is second nature to these law enforcement officers. Raising their children in a God-honoring way? That takes courage. Starring: Alex Kendrick, Kevin Downes, Ken Bevel, Robert Amaya, Ben Davies Director: Alex Kendrick Producer: Stephen KendrickFour men, one calling: To serve and protect. As ! law enforcement officers, they are confident and focused, standing up to the worst the streets can offer. Yet at the end of the day, they face a challenge they’re ill prepared to tackle: fatherhood. When tragedy strikes home, these men are left wrestling with their hopes, their fears, their faith, and their fathering. Sherwood Pictures, creators of Fireproof, returns with this heartfelt, action-packed story. Protecting the streets is second nature to these law enforcement officers. Raising their children in a God-honoring way? That takes courage. Starring: Alex Kendrick, Kevin Downes, Ken Bevel, Robert Amaya, Ben Davies Director: Alex Kendrick Producer: Stephen Kendrick From the award winning producers of FLYWHEEL, comes an action-packed drama about a Christian high school football coach who uses his undying faith to battle the giants of fear and failure. In six years of coaching, Grant Taylor has never led his Shiloh Eagles to a winning season. After learning that he and! his wife Brooke face infertility, Grant discovers that a grou! p of fat hers are secretly organizing to have him dismissed as head coach. Devastated by his circumstances, he cries out to God in desperation. When Grant receives a message from an unexpected visitor, he searches for a stronger purpose for his football team. He dares to challenge his players to believe God for the impossible on and off the field. When faced with unbelievable odds, the Eagles must step up to their greatest test of strength and courage. What transpires is a dynamic story of the fight between faith and fear. Facing the Giants is a powerful experience for the whole family inspiring viewers to live with faith, h

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Fay Grim

• Fay Grim (Parker Posey) is afraid her son Ned (Liam Aiken) will turn out like his father, Henry, who has been a fugitive for seven years. Fay s brother, Simon, is serving a prison sentence for helping Henry escape the country. Adding to her trials, Fay is approached by a CIA agent (Jeff Goldblum) to help find Henry s missing notebooks in exchange for Simon s freedom. The mission escalates into a g

HENRY FOOL - DVD MovieSimon (James Urbaniak), a shy garbage man, lives with his sister (Parker Posey of Party Girl and Waiting for Guffman, among dozens of other movies) and mother, who both treat him with minimal respect. Into Simon's life comes Henry Fool (Thomas Jay Ryan), a heavy-drinking self-proclaimed great writer who goads Simon into writing an enormous poem. The poem becomes the source of great controversy, proclaimed by some as a great work of art, denounced by others as pe! rverse trash. As Simon's star rises, he tries to draw attention to Henry's work as well, to little avail. Though the premise seems simple, Henry Fool takes on something of an epic sweep as it follows the effects of fame on Simon's and Henry's lives. This rumination on art and inspiration was hailed by some critics as the best film yet by writer-director Hal Hartley (Trust, Simple Men, Amateur), while others felt it brought out his worst self-indulgences. All of Hartley's movies defy easy interpretation, and Henry Fool is no exception. Still, it's a rare film that even tries to tackle such subjects, let alone does so with a combination of intelligence and humor (ranging from verbal quirkiness to scatological embarrassment). Hartley's films, surprisingly enough, feel warmer and more accessible on video; perhaps watching them in one's home makes them seem more intimate and less abstract. --Bret Fetzer137 minutes running timeSimon (J! ames Urbaniak), a shy garbage man, lives with his sister (Park! er Posey of Party Girl and Waiting for Guffman, among dozens of other movies) and mother, who both treat him with minimal respect. Into Simon's life comes Henry Fool (Thomas Jay Ryan), a heavy-drinking self-proclaimed great writer who goads Simon into writing an enormous poem. The poem becomes the source of great controversy, proclaimed by some as a great work of art, denounced by others as perverse trash. As Simon's star rises, he tries to draw attention to Henry's work as well, to little avail. Though the premise seems simple, Henry Fool takes on something of an epic sweep as it follows the effects of fame on Simon's and Henry's lives. This rumination on art and inspiration was hailed by some critics as the best film yet by writer-director Hal Hartley (Trust, Simple Men, Amateur), while others felt it brought out his worst self-indulgences. All of Hartley's movies defy easy interpretation, and Henry Fool is no exception. Still, i! t's a rare film that even tries to tackle such subjects, let alone does so with a combination of intelligence and humor (ranging from verbal quirkiness to scatological embarrassment). Hartley's films, surprisingly enough, feel warmer and more accessible on video; perhaps watching them in one's home makes them seem more intimate and less abstract. --Bret FetzerFAY GRIM - DVD MovieFay Grim is Hal Hartley's version of the espionage thriller. Consequently, it's more peculiar than pulse-pounding, but that's what makes his films appealing--to those who appreciate their off-kilter rhythms, that is. In Hartley's world, dialogue is often delivered with a straight face, no matter how funny the line or farcical the situation. In Fay Grim, he picks up seven years after Henry Fool left off, but this time the writer/director shifts focus from novelist Henry (Thomas Jay Ryan) to his seemingly scattered wife, Fay (Parker Posey). Their son, Ned (Liam Aiken), is n! ow in his teens, but Henry remains at large, and Fay's "garbag! e man po et" brother, Simon (James Urbaniak), remains in prison for aiding in his escape. Then two CIA operatives, Fulbright (Jeff Goldblum) and Fogg (Leo Fitzpatrick), inform her that Henry is dead, so Fay agrees to track down his complete set of diaries in exchange for Simon's freedom. Apparently, Henry's incoherent ramblings contain state secrets. Joining forces with stewardess Bebe (Elina Löwensohn), Fay travels from Queens to Paris to Istanbul to fulfill her mission. In the end, Fay Grim resembles Hartley's noir parody Amateur, which featured Löwensohn, more than Henry Fool. It has less to say about talent and celebrity and more about mystery and intrigue. For the filmmaker, it also represents an opportunity to reunite a strong ensemble and to recover, at least for the time being, from a string of disappointments, like No Such Thing and The Girl From Monday. --Kathleen C. Fennessy

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Rome Total War: Barbarian Invasion Expansion Pack

• Defend Roman Empire from invading barbarians; set in 363 A.D.
• Expansion pack to the award-winning Rome: Total War game
• Experience brand-new generals, maps, battle conditions, and more
• 10 new playable factions, each with strategic options and exclusive army units
• For 1 player

The classic study of how the Roman Empire gradually succumbed to barbarian encroachment.

In print for more than thirty years, this book has long served as a standard text on the Germanic penetration of the Roman Empire. Bury's history is indispensable to anyone who seeks to understand the connection between the barbarian migrations of the third to the ninth century and the framework of modern Europe.

 

This richly detailed chronicle brings to life the personalities of Attila the Hun, Alaric the Goth, Genghis Khan, and many other barbarian kings and chieftains whose rampages across Europe, Asia, and North Africa changed the course of history.

 

In this highly readable and authoritative book, author Thomas J. Craughwell draws upon the latest historical and archaeological research to reveal the impact of the barbarian invasions on the modern world: from the establishment of the English language, to the foundation of world capitals such as Dublin, to the introduction of gunpowder to Europe. Illustrated with more than 100 archival images gathered from around the world.

 

The death of the Roman Empire is one of the perennial mysteries of world history. Now, in this groundbreaking book, Peter Heather proposes! a stunning new solution: Centuries of imperialism turned the ! neighbor s Rome called barbarians into an enemy capable of dismantling an Empire that had dominated their lives for so long.
A leading authority on the late Roman Empire and on the barbarians, Heather relates the extraordinary story of how Europe's barbarians, transformed by centuries of contact with Rome on every possible level, eventually pulled the empire apart. He shows first how the Huns overturned the existing strategic balance of power on Rome's European frontiers, to force the Goths and others to seek refuge inside the Empire. This prompted two generations of struggle, during which new barbarian coalitions, formed in response to Roman hostility, brought the Roman west to its knees. The Goths first destroyed a Roman army at the battle of Hadrianople in 378, and went on to sack Rome in 410. The Vandals spread devastation in Gaul and Spain, before conquering North Africa, the breadbasket of the Western Empire, in 439. We then meet Attila the Hun, whose reign of terror swep! t from Constantinople to Paris, but whose death in 453 ironically precipitated a final desperate phase of Roman collapse, culminating in the Vandals' defeat of the massive Byzantine Armada: the west's last chance for survival.

Peter Heather convincingly argues that the Roman Empire was not on the brink of social or moral collapse. What brought it to an end were the barbarians.This digital document is an article from Queen's Quarterly, published by Queen's Quarterly on March 22, 2004. The length of the article is 3009 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

Citation Details
Title: Corporate Invasions, Barbarian Invasions.
Author: Maurice Yacowar
Publication: Queen's Quarterly (Refereed)
Date: March 22, 2004
Publisher: Qu een's Quarterly
Volume: 111 Issue: 1 Page: 87(10)

Distributed by Thomson Gale

 

This richly detailed chronicle brings to life the personalities of Attila the Hun, Alaric the Goth, Genghis Khan, and many other barbarian kings and chieftains whose rampages across Europe, Asia, and North Africa changed the course of history.

In this highly readable and authoritative book, author Thomas J. Craughwell draws upon the latest historical and archaeological research to reveal the impact of the barbarian invasions on the modern world: from the establishment of the English language, to the foundation of world capitals such as Dublin, to the introduction of gun! powder to Europe. Illustrated with more than 100 archival images gathered from around the world.

 

 

This richly detailed chronicle brings to life the personalities of Attila the Hun, Alaric the Goth, Genghis Khan, and many other barbarian kings and chieftains whose rampages across Europe, Asia, and North Africa changed the course of history.

In this highly readable and authoritative book, author Thomas J. Craughwell draws upon the latest historical and archaeological research to reveal the impact of the barbarian invasions on the modern world: from the establishment of the English language, to the foundation of world capitals such as Dublin, to! the introduction of gunpowder to Europe. Illustrated with mor! e than 1 00 archival images gathered from around the world.

 

This series of lectures by J.B. Bury, one of the great figures in the study of Late Antiquity, forms a concise and readable account of the last centuries of the western Roman empire, from the first stirrings of the Goths north of the Danube to the settlement of the Lombards in Italy in the sixth century.

From the preface: "The main results of [Bury's] highly specialised research and wide reading he embodied in various courses of lectures delivered from time to time before the University. In particular, beginning in the Michaelmas term of his second professorial year, he treated periodically of 'The Invasion of Europe by the Barbarians', covering roughly the two centuries of transition from Roman to Mediaeval Europe, A.D. 375-575. These lectures...present in vivid and memorable form the principal conclusions of much recondite research and mature thou! ght. As summaries of Professor Bury's opinions on a number of long-debated problems they are of great interest and enduring value. What Professor Bury has to say, for instance, on the relative importance of the battles of Chalons (451) and Nedao (454) will be fresh to many readers, and full of illumination for all. His constant insistence, too, on the gradual and imperceptible encroachment of Barbarism upon Romanism during the two centuries under review is, in the highest degree, impressive and convincing."

The Kindle edition has been prepared with careful attention to the original typography and is fully navigable.
This series of lectures by J.B. Bury, one of the great figures in the study of Late Antiquity, forms a concise and readable account of the last centuries of the western Roman empire, from the first stirrings of the Goths north of the Danube to the settlement of the Lombards in Italy in the sixth century.

From the preface: "The main results! of [Bury's] highly specialised research and wide reading he e! mbodied in various courses of lectures delivered from time to time before the University. In particular, beginning in the Michaelmas term of his second professorial year, he treated periodically of 'The Invasion of Europe by the Barbarians', covering roughly the two centuries of transition from Roman to Mediaeval Europe, A.D. 375-575. These lectures...present in vivid and memorable form the principal conclusions of much recondite research and mature thought. As summaries of Professor Bury's opinions on a number of long-debated problems they are of great interest and enduring value. What Professor Bury has to say, for instance, on the relative importance of the battles of Chalons (451) and Nedao (454) will be fresh to many readers, and full of illumination for all. His constant insistence, too, on the gradual and imperceptible encroachment of Barbarism upon Romanism during the two centuries under review is, in the highest degree, impressive and convincing."

The Kindle edition ! has been prepared with careful attention to the original typography and is fully navigable.
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.You arrived you saw you conquered....you're notfinished yet!Product Information[Requires Rome: Total War to play]With this official expansion pack to the award-winning Rome: Total War the action takes place 350 years later when the Roman Empire is beset by enemies inside and out. The year is 363 A.D. and the Roman Empire has split into two parts ruled from the cities of Rome and Constantinople. Barbarian tribes are massing on the Imperial frontiers and there are many many challenges for a Roman to face - and some may be almost unbeatable!A seemingly unstoppable tide of barbarian invaders is massing on the borders of a fracture! d Roman Empire. Choose to take control of the barbarian hordes! and tea r apart the world's mightiest ancient empire or take command of massed Roman legions and change the course of history forever! Barbarian Invasion is the new expansion to the million-selling multi-award-winning PC strategy game Rome: Total War. Set in a time 200 years after the main campaign of Rome: Total War Barbarian Invasion presents an entirely redrawn campaign map reflecting two centuries of change and turmoil across the Roman Empire. Ten new playable factions have entered the fray - all with new buildings units and technologies to exploit. The threats to Rome are as brutal as they are varied - from Sassanid war elephants and lethal Frank axe throwers to ferocious Hun riders.The epic war to decide the fate of the world's grandest empire is now yours to control! Product FeaturesCommand vast armies to decide the fate of the Roman Empire in the massive expansion to worldwide smash hit Rome: Total War.  Redesigned campaign map reflects 200 years of change! and turmoil. Updated gameplay features the hordes character loyalty and Roman civil wars. Barbarians can also relocate to a new homeland after losing their last settlement as a mass migration of

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The Complete Cat's Meow: Everything You Need to Know about Caring for Your Cat

• ISBN13: 9780470641675
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Being in the wrong place at the wrong time is not always a bad thing… Noah Anderson is odd and he knows it. He has a strong obsessive compulsive disorder that keeps him organized but distances him from the world around him. He doesn't have any friends, family, or even a lover. He's never had a lover. When he finds himself in the wrong place at the right time, Noah discovers that the dangers posed by having sex for the first time pale in comparison to having sex with the assassin that comes to kill him, even if it means his life. Gage Tynan is a killer. It's what he's always been. And he excelled at his job until he jumped into the car of a passing motorist when his latest mission goes wrong.! The man driving is so odd that Gage suspects he might have been sent to harm him. Gage has no idea that the little man that asks him to take his cat will change his life in ways he has no clue of. Gage is dragged into a world of shifters and exiled kings, one where his strength will be called upon to keep Noah safe from the pride soldiers sent to keep him from taking the throne.This ultimate celebration of the cat features witty quotes about felines and images by three of the world s most beloved animal photographers. Whether playing, pouncing, or just purring contentedly, these are some of the most adorable kittens and cats ever to grace the printed page.Many children love cats, and there is so much to know about America's most popular pet. Why do they meow, hiss, and purr? Why do they have whiskers, tails, and claws? Beginning readers can find out the answers to those questions and many more in this fun, fact-packed book filled with colorful feline photos and drawings! .

At the annual gathering of the MEOW society, cat! s of all kinds convene to share their stories and those of their ancestors. Chico, the smallest cat in the world, recounts stopping a crime. The Pirate Cat tells of the fateful day when he discovered a treasure while hunting for mice. And Georgio shares his delectableâ€"and sometimes surprisingâ€"recipes.

 

In this winning companion to Dog Diaries, animal lovers will be wooed by the charm, strength, and wit of these feline friends.

The all-in-one resource for cat owners

Do you consider cats valued members of the family? Do you want to ensure you're giving your beloved feline friend the very best possible care? Then this all-in-one, comprehensive cat care guide is for you!

From grooming to litter box issues to nutrition and much more, The Complete Cat's Meow covers all the bases to raising and caring for kitties. It also shows you how to introduce a new kitten to other pets, handle behavioral problems, and make life comfortable for! cats of all ages.

• Covers everything cat owners need to know about health, nutrition, behavior, and training
• Compelling photos of a wide variety of breeds
• Other titles by Arden: The Irrepressible Toy Dog; Small Dogs, Big Hearts

Whether you're a veteran cat owner or thinking about adding a feline to your family, The Complete Cat's Meow is your one-stop guide to comprehensive cat care.

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Aurora Borealis

• Ever since the premature death of his father, 25-year-old Minneapolis slacker Duncan (Joshua Jackson) is content with shuffling aimlessly through life, hanging out with his lifelong friends, and ditching one dead-end job after another. Duncan takes a job as a handyman in a high-rise that allows him to be near his gravely ill grandfather Ronald (Donald Sutherland), who's more than a handful

The stunning, prism-like look of the Swarovski Elements Crystal Aurora Borealis Large Rondelle Drop Earrings is magnified by the elegant, rondelle-shaped stones. Two large stones are aligned vertically and provide a glittering, dazzling look. The earrings are made from 925 sterling silver and feature sturdy, lever-back clasps. The elegant earrings are 1.8 inches long and frame your face. They can be worn for any special occasion or pair them with something simple to spruce up your everyday look.Electric g! reen pierced by neon blue, shocking pink spinning into violent red, and shimmering purple sidled up against deep indigo: never before have you seen such high-octane colors in the sky, and never before has a book shown the northern lights-aurora borealis-in such vivid color. In Northern Lights, photographers Calvin Hall and Daryl Pederson bring to print nearly a hundred photographs of this amazing natural phenomenon, shot from remote locations all over Alaska and using no filters or digital enhancement. Just as fascinating are the legends, myths, and science surrounding this polar phenomenon, described by George Bryson. As 2002 marks the peak viewing time of the northern lights in an eleven-year cycle, this book brings the elusive magic of the northern lights to stargazers near and far.(Drama) Ever since the premature death of his father, Duncan (Joshua Jackson) has been content with drifting aimlessly through life. When he takes a job in order to be near his ill gra! ndfather (Sutherland) and grandmother (Fletcher), he begins to! find pu rpose. The newfound sense of being needed, plus a budding romance with Kate (Lewis), begins to change Duncan profoundly.Joshua Jackson adds another poignant role to his resume as he continues to distance himself from his breakthrough role as hapless Pacey Witter on the television series Dawson's Creek. In the sweet family drama Aurora Borealis, Jackson portrays Duncan, a twentysomething former hockey player who deals with the death of his father--10 years prior--by bonding with his grandfather Ronald (Donald Sutherland), whose own health is deteriorating due to the onset of dementia. Though others dismiss his rambling as the babbles of an old man, Duncan sees that however his grandfather may seem, he has moments of lucidity. His grandfather claims he can see the Aurora Borealis from his balcony, and who is Duncan to contradict him? Both share a sardonic and sarcastic sense of humor, as well as a feeling of guilt about their respective losses. While Duncan sees ! Ronald as a fairly strong man, his grandmother (Louise Fletcher) worries about her husband's obsession with guns. Duncan also develops feelings for his grandfather's free-spirited nurse Kate (Juliette Lewis), a development that surprises no one. Lewis has played similar roles before, but she brings such vivaciousness to her part that viewers can see why Duncan is smitten. She's emboldened to move forward and start a new life, while he's reticent to let go of the past and move toward the unknown. At one point, Duncan has to decide whether he can let go of his fears to try to make a future for himself with Kate. The film moves at a slow pace, but that actually works with the plot, since it mirrors Duncan's own hesitation. The acting all around is superb, especially in the interactions between Jackson and Sutherland. In the end, it doesn't really matter whether Ronald can see the Northern Lights. If he believes he can, then he can. And that's the kind of optimism that his gran! dson so desperately needs. --Jae-Ha Kim

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Full Metal Jacket

• The story of an 18-year-old marine recruit named Private Joker - from his carnage-and-machismo boot camp to his climactic involvement in the heavy fighting in Hue during the 1968 Tet Offensive. Format: DVD MOVIE Genre: DRAMA Rating: R Age: 085391163114 UPC: 085391163114 Manufacturer No: 116311

The story of an 18-year-old marine recruit named Private Joker - from his carnage-and-machismo boot camp to his climactic involvement in the heavy fighting in Hue during the 1968 Tet Offensive.Stanley Kubrick's 1987, penultimate film seemed to a lot of people to be contrived and out of touch with the '80s vogue for such intensely realistic portrayals of the Vietnam War as Platoon and The Deer Hunter. Certainly, Kubrick gave audiences plenty of reason to wonder why he made the film at all: essentially a two-part drama that begins on a Parris Island boot camp for rookie Marines a! nd abruptly switches to Vietnam (actually shot on sound stages and locations near London), Full Metal Jacket comes across as a series of self-contained chapters in a story whose logical and thematic development is oblique at best. Then again, much the same was said about Kubrick's 2001: A Space Odyssey, a masterwork both enthralled with and satiric about the future's role in the unfinished business of human evolution. In a way, Full Metal Jacket is the wholly grim counterpart of 2001. While the latter is a truly 1960s film, both wide-eyed and wary, about the intertwining of progress and isolation (ending in our redemption, finally, by death), Full Metal Jacket is a cynical, Reagan-era view of the 1960s' hunger for experience and consciousness that fulfilled itself in violence. Lee Ermey made film history as the Marine drill instructor whose ritualized debasement of men in the name of tribal uniformity creates its darkest angel in a murdero! us half-wit (Vincent D'Onofrio). Matthew Modine gives a smart ! and savv y performance as Private Joker, the clowning, military journalist who yearns to get away from the propaganda machine and know firsthand the horrific revelation of the front line. In Full Metal Jacket, depravity and fulfillment go hand in hand, and it's no wonder Kubrick kept his steely distance from the material to make the point. --Tom Keogh

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Enchanted (Widescreen Edition)

• A fairy tale comes to life in this thoroughly original, new Disney Classic. Drawing inspiration from itsic heritage, Disney creates an inspired story unlike any you've experienced before. Filled with excitement, fun, and incredible music from the legendary Alan Menken, ENCHANTED is the ultimate fish-out-of-water adventure. For princess-to-be Giselle, life is a fairy tale -- until she's ba

Studio: Buena Vista Home Video Release Date: 12/26/2008 Run time: 107 minutes Rating: Pg

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Deuce Bigalow Male Gigolo/Hot Chick

• Deuce Bigalow: Male Gigolo A professional fish tank cleaner, Deuce (Schneider) finds himself in desperate need of cash to quickly repair the damage he's done to a client's luxurious apartment! The fun really takes off when Deuce decides the only way out of this jam is to switch to the world's oldest profession and offer his services as a lover for hire! The Hot Chick The hilarious

Comedy superstar Rob Schneider is back once more as Deuce Bigalow, the big-hearted male gigolo with the least down below. Fleeing to Europe following a near run-in with the Malibu PD, Deuce finds himself thrust back into the pleasure-for-pay profession when his former pimp (Eddie Griffin) is wrongly accused of murdering Europe's highest-priced man-whores. Working under-the-covers, Deuce seduces a bevy of super-freaky female clients (as well as Dutch supermodel Hanna Verboom) to learn the identity of the real killer ! in this outrageous laugh-orgy that will have you screaming with delight from start to finish!If the repeated use of the phrase "man-whore" is your recipe for hilarity, Deuce Bigalow: European Gigolo is your movie. Rob Schneider (The Hot Chick, The Animal) returns as the hapless male prostitute, in this case lured back into the man-whore lifestyle in order to investigate the killings of European man-whores. His former pimp T.J. (Eddie Griffin, Undercover Brother) has set up shop in Amsterdam, where he finds himself accused of both the man-whore murders and of being a homosexual. From this slender, ridiculous premise springs dozens of gags about flatulence, breasts, and male sexual organs--in fact, the number of phallus stand-ins (noses, swords, man-whore of the year awards) would seem excessive to Aristophanes. And yet, despite all things crass and tawdry, Schneider remains bizarrely innocent, and this movie, like the first one, feels inexplicably! sweet. The fundamental ethos of Deuce Bigalow is that everyon! e, no ma tter how they look, deserves to be loved. Such a downright Christian sentiment is rarely packaged in a movie featuring a cat biting a man's testicles or a woman gushing wine out of her tracheotomy hole, yet that's all part of the ineffable mystery of Deuce Bigalow: European Gigolo. Also featuring Jeroen Krabbe (The 4th Man, The Living Daylights). --Bret FetzerSchneider transforms himself from a fish tank cleaner to a professional male gigolo in this outrageous comedy. Studio: Buena Vista Home Video Release Date: 08/28/2011 Starring: Rob Schneider Run time: 88 minutes Rating: RStudio: Sony Pictures Home Ent Release Date: 06/01/2010DEUCE BIGALOW MALE GIGOLO/HOT CHICK - DVD Movie

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All of Me

• DVD

ALL ABOUT STEVE - DVD MovieA hunky TV news cameraman named Steve (Bradley Cooper, hot off of surprise hit The Hangover) gets stalked by a lonely crossword puzzle creator named Mary (Sandra Bullock, in a career resurgence after The Proposal) in the comedy All About Steve. Although only one screenwriter is credited, All About Steve feels like it's been clumsily patched together from a dozen different versions of itself. The story makes no sense and there's very little that resembles recognizable human behavior...and yet, for that very reason, the movie exerts a perverse fascination. Some parts are actually funny--Thomas Haden Church (Sideways), as a reporter hungry for an anchor position, unleashes arias of manipulative babble--but most of the movie is just baffling. The filmmakers seem to think they're sending a heartwarming message about embrac! ing yourself, no matter how out of the mainstream you may be. Unfortunately, all of the "quirky" people come across as brain-damaged because they're not really people, they're emblems of "uniqueness." Mary is meant to be endearingly eccentric, yet her social ineptness verges on schizophrenia or severe autism. At every turn, All About Steve unintentionally reminds the viewer that someone wrote this, that someone thought this bit of behavior or this turn of phrase would somehow make us like this character or find them charming. Unfortunately, that someone was very, very off the mark. The result--seeing the bald intentions under the failed result--is a jarring yet oddly compelling experience. Also featuring DJ Qualls (Hustle & Flow) and Katy Mixon (Eastbound & Down). --Bret Fetzer

Stills from All About Steve (Click for larger image)

ALL ABOUT STEVE - Blu-Ray MovieA hunky TV news cameraman named Steve (Bradley Cooper, hot off of surprise hit The Hangover) gets stalked by a lonely crossword puzzle creator named Mary (Sandra Bullock, in a career resurgence aft! er The Proposal) in the comedy All About Steve. Although only one screenwriter is credited, All About Steve feels like it's been clumsily patched together from a dozen different versions of itself. The story makes no sense and there's very little that resembles recognizable human behavior...and yet, for that very reason, the movie exerts a perverse fascination. Some parts are actually funny--Thomas Haden Church (Sideways), as a reporter hungry for an anchor position, unleashes arias of manipulative babble--but most of the movie is just baffling. The filmmakers seem to think they're sending a heartwarming message about embracing yourself, no matter how out of the mainstream you may be. Unfortunately, all of the "quirky" people come across as brain-damaged because they're not really people, they're emblems of "uniqueness." Mary is meant to be endearingly eccentric, yet her social ineptness verges on schizophrenia or severe autism. At every ! turn, All About Steve unintentionally reminds the vie! wer that someone wrote this, that someone thought this bit of behavior or this turn of phrase would somehow make us like this character or find them charming. Unfortunately, that someone was very, very off the mark. The result--seeing the bald intentions under the failed result--is a jarring yet oddly compelling experience. Also featuring DJ Qualls (Hustle & Flow) and Katy Mixon (Eastbound & Down). --Bret Fetzer

Stills from All About Steve (Click for larger image)

Steve Jobs’ legacy is clear: The most innovative business leader of our time, the man FORTUNE named CEO of the Decade in 2009. Now from the pages of FORTUNE comes an anthology of 17 classic stories spanning the years 1983 to 2011 about the cultural icon who revolutionized computing, telephones, movies, music, retailing, and product design. The stories lay out in unparalleled detail the career of a man with relentless drive and a single underlying passionâ€"to carry out his vision of how all of us would use technology. Writes managing editor Andy Serwe! r in the book’s foreward: “In the end he was proved right ! a billio n times over, and his company Apple became one of the most successful enterprises on the planet.” All these stories are the product of deep reporting. In many cases FORTUNE’s writers spent hours interviewing Jobs and delving into his mind. The result is a singular journalistic collection, which will leave you with a comprehensive picture of Steve Jobs and Apple, a picture that is complex in the making yet simple in its triumph.Steve Jobs’ legacy is clear: The most innovative business leader of our time, the man FORTUNE named CEO of the Decade in 2009. Now from the pages of FORTUNE comes an anthology of 17 classic stories spanning the years 1983 to 2011 about the cultural icon who revolutionized computing, telephones, movies, music, retailing, and product design. The stories lay out in unparalleled detail the career of a man with relentless drive and a single underlying passionâ€"to carry out his vision of how all of us would use technology. Writes managing editor Andy ! Serwer in the book’s foreward: “In the end he was proved right a billion times over, and his company Apple became one of the most successful enterprises on the planet.” All these stories are the product of deep reporting. In many cases FORTUNE’s writers spent hours interviewing Jobs and delving into his mind. The result is a singular journalistic collection, which will leave you with a comprehensive picture of Steve Jobs and Apple, a picture that is complex in the making yet simple in its triumph.Comic wizard Bill Murray (CRADLE WILL ROCK, THE ROYAL TENENBAUMS) teams up with Academy Award(R)-winner Richard Dreyfuss teams up with (Best Actor, 1978, THE GOODBYE GIRL) in an outrageously wild comedy that's sure to drive you off the deep end! Murray plays Bob Wiley, a troubled but lovable therapy patient who fears everything! After seeking help from noted psychiatrist Dr. Leo Marvin (Dreyfuss), Bob feels revived. But when the good doctor skips town to go on a quiet famil! y vacation, Bob, afraid of being alone, follows -- showing up ! unexpect edly at the therapist's lakeside retreat. That's when the fun really begins! Bob innocently becomes the houseguest who just won't leave -- endearing himself to the other family members ... and, in the end, driving the stressed-out shrink absolutely crazy!dvd

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