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Music plays a huge part in director Wes Anderson's meticulously crafted world. For this movie set in India, he's come up with a typically wide-ranging, mind-boggling soundtrack largely culled from the mid-'60s and early '70s, despite the fact that the film is set in the present. Though Indian cinema has come to mean Bollywood for most Americans, Anderson pays tribute to art filmmaker Satyajit Ray by including music from some of his movies, mines the early (1963-1970), lesser-known oeuvre of James Ivory, and features traditional Indian tunes. This may throw fans of Bollywood's more frantic style at first (even if the upbeat go-go "Typewriter Tip, Tip, Tip," co-sung by superstar Asha Bhosle, gets close),! but the music's eerie charm works in insidious ways. British Invasion pop, an enduring love of Anderson's, is represented by obscure songs from well-known combos (three cuts from the Kinks' 1970 album
Lola versus Powerman and the Moneygoround, Part One), as well as obscure songs from obscure performers, like Peter Sarstedt's 1969 nugget "Where Do You Go To (My Lovely)." Add a fantastic Rolling Stones pop tune from 1965, a couple of Western classical tracks, a popular French hit by Joe Dassin, and you have a CD that's all over the map yet oddly consistent in its eccentricity.
--Elisabeth VincentelliIn THE DARJEELING LIMITED, from director Wes Anderson (Rushmore, Fantastic Mr. Fox), three estranged American brothers reunite for a meticulously planned, soul-searching train voyage across India, one year after the death of their father. For reasons involving over-the-counter painkillers, Indian cough syrup, and pepper spray, the brothers eventually find themselves! stranded alone in the middle of the desertâ€"where a new, unp! lanned c hapter of their journey begins. Featuring a sensational cast, including Owen Wilson (Armageddon, Wedding Crashers), Adrien Brody (The Thin Red Line, The Pianist), Jason Schwartzman (Rushmore, HBO’s Bored to Death), and Anjelica Huston (Prizzi’s Honor, The Grifters), THE DARJEELING LIMITED is a visually dazzling and hilarious film that takes Anderson’s work to richer, deeper places than ever before.Family tension again provides dramatic comedy in Wes Anderson's new film,
The Darjeeling Limited, about three American brothers traveling by train to find their reclusive mother in rural India. Like
Royal Tenenbaums, this film succeeds because of its smart, funny script in addition to the visual beauty of India and its luxurious locomotive transportation. In
Darjeeling, the oldest brother, Francis (Owen Wilson), blackmails his two younger siblings, Peter (Adrien Brody), and Jack (Jason Schwartzman), into traveling to a monastery where their mother, Patric! ia (Anjelica Huston), has been in hiding as a nun. Supposedly embarking on a spiritual quest, the three men reminisce about the recent death of their father, and the family's irreconcilable problems previous to their reunification. Though they do find Patricia, Francis, Peter, and Jack grow immensely from another brush with death, this time an Indian boy they try to rescue, giving the film an added conceptual depth that Anderson's previous films have been accused of lacking. Co-written by Roman Coppola (
CQ),
The Darjeeling Limited is a finely-tuned critique of American materialism, emotional vacuity, and our lack of spiritualism, presented in ironic twists and gorgeous cinematography and lighting recalling Altman's
McCabe & Mrs. Miller. A lovely, poignant sequence occurs while the three brothers attend a traditional Indian funeral, and flash back to their father's one year prior. Moreover, the film's soundtrack culled from Satyajit Ray's films and vinta! ge Kinks gives the film a timeless feel, removing it from the ! predicta ble indie rock scoring of independent releases. By far Anderson's best film thus far,
The Darjeeling Limited offers a much-needed dose of cultural self-reflection, pillared against India's ever-evolving yet ancient religious backbone. --
Trinie DaltonOwen Wilson Adrien Brody and Jason Schwartzman star as three brothers who have drifted apart over the years and try to re-forge their sibling bonds on a hilarious adventure across India. The Royal Tennenbaums meets Lost in Translation. System Requirements:Running Time: 91 Mins.Format: DVD MOVIE Genre:Â COMEDY/FAMILY GATHERINGS Rating:Â R UPC:Â 024543494867 Manufacturer No:Â 2249486Hephaestus Books represents a new publishing paradigm, allowing disparate content sources to be curated into cohesive, relevant, and informative books. To date, this content has been curated from Wikipedia articles and images under Creative Commons licensing, although as Hephaestus Books continues to increase in scope and dimension, mor! e licensed and public domain content is being added. We believe books such as this represent a new and exciting lexicon in the sharing of human knowledge. This particular book is a collaboration focused on Films directed by Wes Anderson.
Novelist and award-winning cookbook author Bharti Kirchner has written a sweeping family saga, a first class fiction about forbidden love and family honor.
Set in the mountainous tea plantations of Darjeeling, India and in New York City, Darjeeling is the story of two sisters - Aloka and Sujata - long separated by their love for Pranab, an idealistic young revolutionary. Pranab loves Sujata, the awkward, prickly, younger sister but, out of obligation, marries Aloka, the gracious, beautiful, older sister. When all of their secrets are revealed, the three are forced to leave Darjeeling. Aloka and Pranab flee to New York City and Sujata to Canada. The story opens ten years later, when their Grandmother summons everyone hom! e to the family tea plantation to celebrate her birthday. Desp! ite the fact that Aloka is still very much in love with Pranab, they are in the process of getting a divorce. Sujata, who is still single, runs a successful business importing tea, a business that doesn't fill her broken heart. This trip forces the sisters to wrestle with their bitterness and anger and to try to heal old wounds. What complicates matters is that Pranab, too, is going to India and is intent on rekindling his relationship with Sujata now that his marriage is over.
Although filled with the rich foods, smells, and social confines of another culture, Darjeeling is really about the universally human emotions of jealousy, rivalry, love, and honor. It is a complex novel about family, exile, sisterly relations, and how one incident can haunt us for the rest of our lives.
Forbidden love, sibling rivalry, and the immigrant experience in New York City: these are just some of the themes packed into Bharti Kirchner's
Darjeeling. As the novel opens,! 40-year-old Aloka stares out her apartment window in midtown Manhattan, contemplating the end of her marriage to Pranab--a man she met in her homeland of India. The lost marriage, like the lost country, fills her with nostalgia and angry confusion. Soon the reader learns the source of Aloka's bitterness: her sister's affair with her husband, a scandal that propelled her to this distant city with its "gray-brown bustle." Chapters alternate between the two sisters' lives, and Kirchner renders the passions of both women with empathy and grace. At the heart of
Darjeeling is the question of the broken bond: will the sisters be able to cross the emotional and geographic distances that separate them?
--Ellen Williams ! 
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