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Starring Kevin Bacon (Beauty Shop, Mystic River), Colin Firth (Love Actually, Bridget Jones's Diary) and Alison Lohman (Big Fish, Matchstick Men), Where the Truth Lies is a suspenseful mystery from acclaimed director Atom Egoyan. In the '50s, Vince Collins (Firth) and Lanny Morris (Bacon) are the hottest showbiz duo in America. The combination of Lanny's brash American style and Vince's biting British wit is irresistible, especially to beautiful women. When a beautiful young woman, Maureen (Rachel Blanchard) is found dead in the bathtub of the duo's suite, their glittery world begins to crumble. They have rock solid alibis and are exonerated of any criminal wrongdoing; however, the scandal causes the once inseparable pair to part company. Fifteen years later, Karen O'Connor (Lohman), a young and ambitious jour! nalist, is determined to uncover the secrets of the two men who, coincidentally, touched her life when she was a child. She persuades a publisher to offer a guarded Vince Collins one million dollars to collaborate with her on writing the untold story of his life with Lanny Morris. There is one condition: the truth must be told about the scandal that destroyed the duo. What really happened the night Maureen died? As Karen continues to search for many different truths-the truth about Vince and Lanny, the truth about Maureen's death, and even suppressed truths about herself- she becomes embroiled in a tense and bewildering game of cat-and-mouse.Director Atom Egoyan's 2005 film
Where the Truth Lies is laden with nudity, sex, violence, lies, blackmail, betrayal… and really, what more could you want? Other than some genuine tension, a more compelling story, and better acting, that is. In adapting Rupert Holmes' novel, the Cairo-born Egoyan (
Ararat,
Exotica,!
The Sweet Hereafter) has taken on a murder mystery wit! h
fil m noir elements that will leave many viewers wondering exactly "whodunit" until the final few scenes; and while that's surely a good thing, the ride itself simply isn't all that scintillating. Kevin Bacon and Colin Firth star as a (Dean) Martin & (Jerry) Lewis-style team whose principal talents seem to consist mainly of pill-popping, soulless sex with a stream of nubile young women, and hosting an annual polio telethon. Fifteen years after their '50s heyday, journalist Karen O'Connor (Alison Lohman), who appeared on the telethon as a child, seeks out the pair to determine why they split up and, not coincidentally, what really happened to the dead girl with whom they had dallied the night before. Bacon is reasonably unctuous as the leering Lanny Morris; but Firth is uninspired as the more elusive Vince Collins, and although Lohman is game, she sometimes seems out of her depth in a role that calls for her to both seduce and be seduced, to manipulate and be manipulated. Ego! yan, who also wrote the screenplay, has an eye for odd little details (much is made of Pan Am's first class dinner service, for instance) and an ear for great music (the soundtrack includes tunes by Charles Mingus, Louis Prima, the Mahavishnu Orchestra, and Funkadelic) and good dialogue ("Having to be a nice guy is the toughest job in the world when you're not"). But the film is curiously tepid; the sex is unconvincing, the mystery lacks a sense of danger, and the resolution is hardly shocking. One wishes that, having dipped into this genre, Egoyan had gone all out and made a film as delightfully sleazy as, say,
Basic Instinct.
--Sam GrahamFresh, funny and racy, Spread is a look at the trials and tribulations of sleeping your way to a life of privilege in Los Angeles. Nikki (Ashton Kutcher) is a fun-loving, freeloading hipster who understands his greatest assets are his looks and sexual prowess. His latest conquest, Samantha (Anne Heche), a stunning middle-a! ged lawyer, gives Nikki more than he’s ever had before. But ! when Hea ther (Margarita Levieva), a gorgeous waitress playing the same game, catches his eye, their lifestyles force a choice between love and money. Nikki has to decide whether he can live on his own once and for all in the hopes of finding something real.Director David Mackenzie trades the Scottish Highlands for the Hollywood Hills in this darkly comic fable about a male hustler. While Julia Roberts famously portrayed a hooker with a heart of gold, Nikki (producer Ashton Kutcher) suffers from Tin Man Syndrome: he doesn't seem to have a heart at all. As he boasts in his opening narration, "I don't wanna be arrogant here, but I'm an incredibly attractive man." (He has a point, but those suspenders have gotta go.) With his finances in disarray, he sets his sights on Samantha (Anne Heche), a high-powered attorney with an amazing abode overlooking Los Angeles. For such a sophisticated woman, she's surprisingly quick to fall for his patter. Aside from attending to her physical needs, N! ikki cooks, runs errands, and makes himself so indispensable he gains the use of her Amex and Mercedes. Then he meets the more age-appropriate Heather (Margarita Levieva), who doesn't find his talk quite so cute, but she gets him in a way Sam doesn't because she's a player, too. Through Heather, Nikki finds his heart, but a real relationship proves far more challenging than a fake one. If the characters in Mackenzie's first American feature, much like the gang on TV's
Gossip Girl, are too vain to inspire much sympathy, they're still fun to watch. Kutcher's ladies' man may not be as iconic as the studs in
Midnight Cowboy and
American Gigolo, but then Mackenzie (
Young Adam,
Mister Foe) isn't going for tears or fears, but rather for escapism with a sexy, slightly cynical edge.
--Kathleen C. Fennessy
Stills from Spread (Click for larger image) < tr align="center" valign="top"> 
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